Wednesday, May 14, 2025

“Cinnamon” by Band of Muses – Sitar Rock

 

     “Cinnamon” stirs the senses as if born by bringing a turntable’s needle to a cherished album of a no-longer-young music lover, rather than in an age of algorithms and competing music streaming platforms. The debut single from Band of Muses channels the Psychedelic Era of the late 1960s. The sitar dances atop a strong bass line, while compelling vocals deliver lyrics that challenge the listener attach personalized meaning.
 
     Band of Muses comprise “sisterly sorceresses, Penny-Scarlett Muse and Daisy Rose Muse.” Their voices harmonize during some portions of “Cinnamon,” but with appealingly different “attitudes” that ensure that the two are clearly distinguishable. During other portions of the song, one voice hauntingly echoes the lead vocals.
 
     The single includes only two verses. Quoting a helpful explanation of the lyrics:
  Enigmatic yet disarmingly confessional, Penny-Scarlett's lyrics flirt with abstraction yet cut through the lush haze, revealing a raw, lingering ache beneath the shimmering surface. "I've been waiting near your gates of love and always wondering if you're there," Penny-Scarlett sings. Lyrically, Cinnamon stirs the restlessness between longing and fate—caught in the blur where desire fades into distance and waiting for someone that may never come. It's a song that lays bare the vulnerability of holding onto feelings that still linger, despite it all.
 
     Still, it’s the sitar-guitar that sets “Cinnamon” apart from other song singles. Embedded in this post is a video by Rick Beato. The video shows the sitar-guitar and presents his Top 10 sitar songs (electric or “original”). Also embedded is our Spotify list of personal sitar-featured favorites.
 
     The description of Band of Muses is insightful:
  Inspired by the free-spirited essence of the 1960s Laurel Canyon music scene with a heavy nod to the electrically charged golden era of 1970s rock grandeur, Band of Muses conjures a genre-bending experience of sound and spirit. Their music moves like a séance and hits like a cosmic exorcism— a slow burn that simmers with hypnotic tension, lo-fi bite, and something strangely untamed.
  More than just a debut, Cinnamon is a doorway into the mythos of Band of Muses. As the song takes effect, it takes listeners on a phantasmagoric trip they'll never want to come down from. Drenched in Penny-Scarlett's molten-honey lead vocals, Daisy Rose's ethereal harmonies and the band's devil-may-care production style, amplify the intricate allure of Cinnamon with visceral flair. As Cinnamon smolders into a rush of psychedelic euphoria, it's carried by lush swells of Daisy Rose's avant-garde instrumentation. With laser-focused command, Daisy Rose brings her multi-instrumentalist prowess to Cinnamon, using every weapon in her arsenal to full effect. Daisy Rose's gritty bassline slithers into a trippy sitar-guitar interlude before unleashing a technicolor electric guitar solo—a sonic supernova in full force.
 
     “Cinnamon” by Band of Muses


Lyrics of “Cinnamon” by Band of Muses
I’ve been waiting
For so long to feel you
Slowly lingering on my skin
Under the moonlight we’re just flesh and bone with the
Sweet smell of cinnamon in the air
 
In the air
In the air
In the air
 
I’ve been waiting
Near your gates of love and
Always wondering if you’re there
If you want me I will follow you with the
Sweet smell of cinnamon in the air
 
In the air
[Repeating]
 

Monday, March 31, 2025

“All Of Us” by Sam Roberts Band - A Song Feature

 
     Thankfully, the Indiesphere offers second chances to music lovers. Sam Roberts Band recently “reimaged” the title track from their album “All Of Us.” While the original 2020 version of the song is praiseworthy, this alternative take is captivating. The reimagining slows the tempo, better exposing the song’s sentiment and poetry in its “you’re not alone” message. Most notably, the recurring chorus features a rip-current harmony that pulls the listener willingly deeper into the song’s emotion.

     Instrumentally, the piano takes center stage in the reimagined version of “All of Us.” Its unhurried dignity complements elegance of the vocals, and provides a contrast with the power percussion entering around the 1:20 mark. The guitar has a lesser role than during the original version of “All Of Us,” but retains its appeal.
 
     “All Of Us” is one of the ten tracks on the album “Frequencies,” which is digital available on all of the popular platforms (see https://samrobertsband.ffm.to/frequencies). Vinyl and CD opportunities are scheduled for availability on June 13, 2025.
 
     Sam Roberts Band is based in Montréal, Canada. The band is comprised of guitarist and vocalist Sam Roberts, lead guitarist Dave Nugent, keyboardist Eric Fares, bassist James Hall, and drummer Josh Trager. “All Of You” was reimagined by fellow Montréaler Liam O’Neil (The Stills, Kings of Leon). Sam Roberts Band have been nominated for an incredible 14 Junos, winning six along the Sam Roberts Band have been nominated for an incredible 14 Junos, winning six along the way, and 14 MuchMusic Video Awards, taking home five.
 
     “All Of Us” by Sam Roberts Band
Lyrics of “All Of Us” by Sam Roberts Band
This ship is taking on water
Looks like the ocean
Is calling back her daughter
To the deep again
 
The kids out on the corner
They're making waves again
Another new world order
We need saving again
 
Where you go, I’ll go
No you’ll never be alone
Even when you lose hope
Waiting for a miracle
I will follow you
To the end of the road
No, you’ll never be alone
 
When the earth sounds hollow
Under your feet again
And when your heartbeat echoes
And skips a beat again
As the whole world trembles
On every street again
When your spirit stumbles
Come look for me again
 
Where you go, I’ll go
No, you’ll never be alone
Even when you lose hope
Waiting for a miracle
I will follow you
To the end of the road
Where you go, I’ll go
No, you’ll never be alone
 
I will follow you
To the end of the road
No, you’ll never be alone
 
Waiting for something to happen
Maybe a miracle
I took a look in the mirror
I swear I saw a ghost
I think I hear heaven knocking
It’s knocking on my door
Wonder what all of the fuss is?
Maybe we’ll never know
 
This is all of us, this is all of us,
Someone call the bluff
Bombs in the supermarket
This is all of us, this is all of us
It’s never enough
And we don’t want to talk about it
 
This is all of us, this is all of us,
Someone call the bluff
Bombs in the supermarket
This is all of us, this is all of us
 
Where you go, I’ll go
No, you’ll never be alone
Even when you lose hope
Waiting for a miracle
I will follow you
To the end of the road
Where you go, I’ll go
So you’ll never be alone
 
Where you go, I go
No you’ll never be alone
Even when you lose hope
Waiting for a miracle
I will follow you
To the end of the road
Then, you’ll never be alone
 
No, you’ll never be alone

Monday, March 17, 2025

“Chemicals” by Giant Hand – A Song Feature

 
    Even before knowledge of the emotionally stirring backstory of “Chemicals,” there is a strong draw to the release from Giant Hand. The verses of the song have a melodic bounce that is discarded when the vocals are slowed and opened to reverb, which first occurs with the phrase “Slow me down.” Does the reverb processing and slowed pace indicate the influences of chemicals?  The frame of mind is certainly different – at 1:02, the bounce-characterized verse states “Just keep on keeping on, and I’ll be okay,” which leads to the more dream-like, but less upbeat, statement “Well, I’m not okay.” Similar to other well-crafted songs, “Chemicals” allows personalized interpretations as to the meaning. 
 
     Still, knowledge of the explanation of the story behind “Chemicals” enhances its poignancy. Giant Hand is the performance name of Kirk Ramsay, who battles chronic physical pain from internal quirks, each year getting worse. Ramsay was originally not supposed to live past the age of three. He wrote “Chemicals” as a representation of the attempt to balance the internal and external risks around him while searching for a way to just be at peace in the moment. 
 
     “Chemicals” is a feature from an upcoming EP, “Oh, Hello Apocalypse!,” which is scheduled for release on April 11, 2025. The EP from the Canada-based (Toronto, Ontario) artist has been described as “an unflinching look at existential dread wrapped in a full-blown drone-gospel, indie-rock orchestra, crafted in the shadow of a world on the brink.” “Oh, Hello Apocalypse!” grapples with the weight of the world’s impending collapse as well as the weight of Ramsay’s health. 
 
     In the past, Ramsay has shared stages with Daniel Johnston, Chad VanGaalen, Handsome Furs, and Sam Amidon. 
 
     “Chemicals” by Giant Hand