Thursday, November 5, 2026

"Youth” by Reuben and the Dark

 

     It was their cover of “What a Wonderful World” that first brought Reuben and the Dark to our attention. That cover (with AG) is a strong candidate in a debate over which song is best for calibrating a subwoofer. It has recurring low-frequency sustain that tests a subwoofer's low-end depth and control without bottoming out.
 
     This year, Reuben and the Dark released their album “If You Know Me You Know My Brother.” The Calgary-based band is fronted by Reuben Bullock. The album title comes from something his brother once told Reuben: that sometimes he couldn’t tell where one life ended and the other began. That sentiment became the emotional center of the record. What started as an album about perseverance gradually revealed itself as something deeper: a conversation between brothers that stretches across time, memory, and absence. Reuben’s brother recently passed.
 
     Our favorite single from the album is “Youth.” In an explanation of the song, Bullock said:
  “Shortly before Ben died, I started to really revisit our childhood and young adulthood. Going back through stories and memories, trying to understand why we are the way we are. Ben and I went through a lot when we were young–chaos, trauma, too many near death experiences to name. And a lot of that continued until present day. I was really encouraged by a friend to dig into it and try to write more literally to almost move it through my system in a therapeutic way. To try and transmute pain into poetry. The chorus almost feels prophetic now: ‘Our youth was not wasted on us.’ This line only truly made sense to me after he passed. I don’t know if I’ve ever written a song that holds so much meaning, it is heartbreaking and healing at the same time. I started writing this song when Ben and I were in our 20s and he was struggling with psychosis and addiction. I remember being quite nervous about sharing it with him as I knew how deeply personal and vulnerable it would be. But I think he liked being my muse.”
 
     Reuben and the Dark is based in Calgary, Canada. In addition to Reuben Bullock, the members of the band are Benjamin Longman (keys, guitar), Sam Harrison (bass), and Brendan “Dino” Soares (drums).
 
     "Youth” by Reuben and the Dark

Website: https://www.reubenandthedark.com/
Facebook: https://www.facebook.com/ReubenAndTheDark

Lyrics of "Youth” by Reuben and the Dark
Well I talk to you like a stranger
Whose name I can't remember
Can I offer you a cigarette to stay?
 
And you're looking at my watch
Wondering where the time goes
But you can tell me one day
 
Well, it was four in the morning, now, forever in my mind
And I remember standing at your door
There were tears on your face and the blood had barely dried
Well I said "Brother, where'd you go last night?"
 
And like a bullеt leaves a gun
What is done now is donе
And maybe you will remember one day
 
Let's go back to the places where we used to run
Before we knew what we were running from
We were young and spoiled by innocence
They say "Youth is wasted on the young"
But youth was not wasted on us
Not us
 
Now it's almost time to go
But we're not going home
And this highway holds some secrets of its own
You didn't know where I was taking you
And if you cared, I couldn't tell
But maybe you will thank me one day
 
Let's go back to the places where we used to run
Before we knew what we were running from
Back before it all got so fucked up
They say "Youth is wasted on the young"
 
Let's go back to the places where we used to run
Before we knew what we were running from
We were young and spoiled by innocence
Well they say "Youth is wasted on the young"
But our youth was not wasted on us

Thursday, October 29, 2026

“BOTTLES (I loved you)” by little image

 

     The Dallas-based band re-imaged an emotion-packed song from its debut 2017 album “Musings.” The single, “BOTTLES (I loved you),” showcases the vocal range of Jackson Simmons more than other releases. little image comprises Simmons (vocals/guitar) and Brandon Walters (bass/synth). 
 
     The song questions the lack of return of affection, often stating, then asking: “I loved you, I loved you // Did you love me? Did you ever love me?” The lyrics are included at the bottom of this post. While thinking about “BOTTLES (I loved you)” and its more than 9-year history, the band said:
  “There’s something about BOTTLES that always takes us back. It’s tied to a really special time in our lives, and hearing it brings back a lot of memories that we’re grateful to have. Some songs just become part of your story, and this one definitely has for us.”
 
     Although the band been successful over the years, their upward trajectory noticeably steepened with last year’s release of the song “KILL THE GHOST,” which is the title track of the 2026 album, as well as the name of the band’s tour. The album dropped via Hollywood Records.
 
     Known for their hands-on approach to every aspect of their creative world, from stage design to visual storytelling, little image continue to build momentum both on stage and beyond. The band has toured with Panic! At The Disco, Bad Suns, almost monday, Cold War Kids, Young the Giant, Joywave, and Colony House, and has performed at festivals including Shakey Knees and Float Fest. With “KILL THE GHOST” now out and a growing global audience behind them, little image continue to establish themselves as one of alternative music’s most exciting and creative new voices.
 
     “BOTTLES (I loved you)” by little image


Lyrics of “BOTTLES (I loved you)” by little image
A man of suffering
I've been here before
 
Familiar with pain
But I'm too afraid to tell anyone
 
Anything, anymore
You bottle your love so tightly
 
When I look to the
The grass and the trees
 
I just sit and think
Of how you never loved me
Or anything, anymore
Bottle your love so tightly
Anything, anymore
Bottle your love so tightly
Anything, anymore
Bottle your love so tightly
Anything, anymore
You bottle your love so tightly
 
I loved you, I loved you
Did you love me? Did you ever love me?
I loved you, I loved you
Did you love me? Did you ever love me?
I loved you, I loved you
Did you love me? Did you ever love me?
I loved you, I loved you
Did you love me? Did you ever love me?
I loved you, I loved you
Did you love me? Did you ever love me?
 
Anything, anymore
You bottle your love so tightly
Anything, anymore
You bottle your love so tightly

Wednesday, October 7, 2026

“What’s Left” by The Same Sky

 

     The Same Sky imposingly describe “What’s Left” as a breakup song filtered through Shoegaze textures and Greek mythology, since the lyrics were inspired by reading “The Odyssey.” Of course, thoughts weigh heavy in the aftermath of a breakup. Amid the emotional debris is the concern posed by The Same Sky’s “What’s Left”: with the change in the relationship, how do you move forward? The song concludes with resolve – “I will try my best.”
 
      The Montreal band approaches the breakup topic without turning the song into the usual lament or finger-pointing. They characterize “What’s Left” as "a fuzzy shoegaze track,” but the influences are varied. At 1:56, a guitar enters with a sound that is simultaneously melodically engaging and somewhat unsettling, capturing the emotional confusion of a breakup. About a half-minute later (2:38), the track from The Same Sky emerges into a chugging guitar sound that is independent from, yet reminiscent of, the hit “Lazy Eye” by Silversun Pickups.
 
     The vocal delivery reinforces that feeling. Rather than overselling the song’s emotional premise, it exposes the uncertainty of the relationship and its possible remains. That restraint is important because “What’s Left” works best when it feels less like a declaration and more like an internal conversation
 
     The members of The Same Sky are Joseph Simon (guitar, vocals), Rory Cogley (bass), Hazel Dreslinski (drums, backing vocals), and Susil Sharma (guitar). “What’s Left” is one of seven tracks from their album “Haunting in the Mountains” which was released earlier this year. The album is available for streaming and purchase at the Bandcamp site https://sameskyband.bandcamp.com/album/haunting-in-the-mountains, as well as other platforms.
 
     “What’s Left” by The Same Sky

Lyrics of “What’s Left” by The Same Sky
Hey, this is my… song
Hey, of love to you… now
 
Your face was red, your eyes were brown
Something waking up inside you
My throat is hurt, my voice is done
The water oceans give me is salty
I'll give you what's left
Of my voice
 
Wherever we’ll decide to go
Let's keep this wisdom in our hearts
The water fills the deserts’ needs
As soon the past dissolves like this…
 
I'll follow you, wherever you go, oh maybe
Whatever's right, whatever's wrong,
What do I know?
 
I will try my best
I will follow you
I
I will try my best


Friday, September 18, 2026

“Dissolving Dream” by Great Hare

 

     The track from Great Hare arrives with a pulsing two-note synthesizer hook, à la "Lisztomania," but soon charts its own course when shimmering guitar turns the sonic focus in a more enchanting direction. That intro of “Dissolving Dream” leads to a soft-spoken delivery of the first verse about day-to-day repetitiveness. Later, the vocals are more assertive and anguished during the chorus.
 
      The vocals provide “Dissolving Dream” with its emotional center. But the true magic emerges from the interplay in its instrumentation. That’s particularly true after the 4:30 mark, when commanding percussion is layered with guitars that remain in flux, shifting between textures and tones, rather than settling for a single pattern.
 
     Great Hare is an Indie Rock quartet from Gothenburg, Sweden. The members are Kalle Mogren (vocals, guitar), Lars Olausson (drums), Anders Holmström (guitar), and Berne Randulv (bass, keyboards). Their bio explains that in 2010, the four musician friends reconnected and turned an old loft into a recording studio. Great Hare is “named after nocturnal encounters with wild hares outside the studio. The band turns up at nights, looking for melodies that want to be turned into songs. There's no plan, they just keep going and sometimes find songs worth keeping along the way. The good ones arrive like waves hitting a beach or memories that they can’t quite place. Fusing new discoveries and old post-punk influences, the songs have been featured on BBC 6, Amazing Radio and music blogs from around the world.”
 
     “Dissolving Dream” by Great Hare

Tuesday, September 15, 2026

“You Can't Kill My Love” by Possumwulf

 

     Because “You Can’t Kill My Love” draws on elements from diverse genres, Possumwulf’s track lends itself well to compare-and-contrast discussions. The beginning features alien-invasion Electronica sitting atop down-to-earth, energizing percussion and an acoustic guitar that occupies the space between Outlaw and Red Dirt Indie. Soon, the vocals enter with charismatic conviction, adding a compelling presence to the arrangement.
 
     It’s relatively easy to distinguish the individual contributions during the first minute of “You Can’t Kill My Love.” The same cannot be said about the final minute, when the mixing allocates equal emphasis to the vocals and the combination of Rock and orchestral instrumentation. Female backing vocals significantly enhance the sense of anguish. In explaining the song, Possumwulf said:
  “Orchestral crank-wave inspired red dirt indie expressing defiance in the face of autocratization. Hints of Mary in the Junkyard’s intricate arrangements & Cusk’s menacing folk instrumentation. Recorded in the remote Ouachita Mountains of western Arkansas. Ethereal strings and acoustic guitar give way to a wall of fuzz and skronking horns.”
 
     Possumwulf is based in Little Rock, Arkansas. The sound is identified as: “Crank-wave-inspired indie, kicking at the fences of pop, post-rock, & sundry Americana while maintaining a distinctly Southern POV. Fuzz pedals. Death cults. Steel guitars. Hillbilly doom pop for the collapse.”
 
     “You Can't Kill My Love” by Possumwulf

Lyrics of “You Can't Kill My Love” by Possumwulf
You can rend my flesh
Powder my bones
Crush my body
Beneath that cold and ancient stone
 
Open up
That old book of law
Recount my sins
To the angels above
 
But you can't kill my love
 
They can salt the earth
They can burn the homes
They can black the sky
Until the smoke chokes out my lungs
 
Rule the land
With a cruel and vulgar tooth
Bind the hands and
Pluck out the eyes of the youth
 
But I still know the truth
 
We can all cut loose
Anytime we choose
But my aching hands will not release
The tattered line that tethers me to you
 
A crossed out page
Tossed away
Makes no difference now
You've had your say
 
When you walk out past the wire
Take that heart from off your sleeve
The boys out in the fog
Are not easily deceived
Lilting spectres in the gas
All greed and lust and bone
Everybody's got a story, honey
The weight is ours alone
 
Cut the cables and push the stone
Cut the cables and push the stone
Cut the cables and push the stone
Cut the cables and push the stone

Sunday, September 6, 2026

“Camouflage” by Babe Rainbow

 

     “Camouflage” leans into the aesthetics of jazz-fusion grooves popularized by Steely Dan in the 1970s. The jazz-infected rhythm is tight, echoing the polished production characterized by the work of Walter Becker and Donald Fagen in their albums “Aja” and “Gaucho.”
 
     The members of Babe Rainbow are Jack “Cool Breez” Crowther (guitar), Angus Dowling (vocals), Miles Myjavec (drums, flute), and Elliot O'Reilly (bass). The band is based in Byron Bay, New South Wales, Australia. “Camouflage” is a track from the band’s seventh album, “Acid and Honey.”
 
     “Camouflage” by Babe Rainbow

Lyrics of “Camouflage” by Babe Rainbow
Camouflage your emotional, combinational
Ever lost in understanding
Thinking of the oceanside
Feeling all warm inside
 
We're talkin', talkin', talkin', talkin', talkin', talkin', talkin'
With your open mind
Flying by, the thought has gone
Winding down the river (Ooh, one day)
Passing by the pines (Ooh, one day, yeah, yeah)
 
I like the way that you talk
I like the way that you don't mind
We're pushing on the with bill
I like the way that you don't try
 
Camouflage your emotional, combinational
Ever lost in understanding
Thinking of the oceanside
Feeling all warm inside
 
We're talkin', talkin', talkin', talkin', talkin', talkin', talkin'
With your open mind
Flying by, the thought has gone
Winding down the river (Ooh, one day)
Passing by the pines (Ooh, one day, yeah, yeah)
 
And the writing's on the wall
Hats off to you
And the dolphin hears a call
Into the wild
You're goin' in for a while
 
I like the way that you talk
I like the way that you don't mind
We're pushing on the with bill
I like the way that you don't try
 
(Beginning at the top)
 
Camouflage your emotion, emotion
Camouflage your emotion
 
Cool
So cool
[Repeating]

Tuesday, September 1, 2026

“Dance” by Grandmas House

     The single from Grandmas House immediately found space on three IO playlists – “Post-Punk,” “Raspy Vocals,” and “Best Indie of 2026 (So Far).” There was even a temptation to place “Dance” on the “Saxophone” playlist. It’s a song that aggressively bears a sword, but still bares its heart.
 
     “Dance” portrays loneliness and angst, while using dance as a coping mechanism even though dancing connects to the relationship that triggered the loneliness (“You used to watch me dance”). The relationship even created mental instability (“My brain, so rotten”).
 
     The track is an invigorating single from the quartet’s debut album, “Baby You’re A Winner,” which was released under Brace Yourself Records. The band is based in Bristol, UK. The members are Yasmin Berndt (lead vocals, guitar), Poppy Dodgson (backing vocals, drums), Zoe Zinsmeister (bass, backing vocals), and Polly Jessett (guitar). While not a member of the band, Morgan Wallace contributed the saxophone in “Dance.”
 
     “Dance” by Grandmas House 


Lyrics of “Dance” by Grandmas House
My bed, so cold
My brain, so rotten
In the dark, I keep on falling
Can you feel it?
 
My bed, so cold
My brain, so rotten
In the dark, I keep on falling
Can you feel it?
 
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance
 
And the darkest hole is always lighter than we see
Pouring from another cup, but I heard that wasn′t me
The hundred trees that I planted in the dirt last year
Never left this place, or so I heard
 
Ever blue, I'm always blue
Heard a song reminding me of you
My head moves up and down, my eyes are glazed
My body starts to shake
 
You used to watch me dance
You used to watch me dance
You used to watch me dance
 
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance
 
In the morning, you used to watch me dance
In the darkness, you used to watch me dance
You watch, I dance
You watch me dance
You watch, I dance
You watch me dance
You watch me dance
 
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance
 
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance
(In the darkness, you used to watch me dance)

Friday, August 28, 2026

“Us Two” by Mind Tides

 

     “Us Two” is a masterful track, with production artistry only matched by compositional sophistication. The song invites closer examination of its production techniques, particularly the prominent use of effects throughout the release from Mind Tides. Yet these effects never obscure or overwhelm the trio’s musicianship.
 
     The appealing dreamlike quality of the vocals is often reverb-magnified and wobbled at the ends of lyrical lines – a sonic tail wag. The vocal presentation itself is warmly intimate and conversational, as he reveals his feeling for a person he refers to as “Lady.” Lyrically, “Us Two” describes that mixed-emotions territory between deep connection and missed opportunity. The song doesn’t explain why the two can never become an “us two.”
 
     Just beyond the two-minute mark, the single from Mind Tides pivots to a focus on keys and intricate percussion. About 30 seconds later, engaging guitar is introduced. “Us Two” is a genre-bender. The band refers to the song as “a Funky blend of Surf Rock and Psychedelic Indie.”
 
     Mind Tides is from Oslo, Norway. The three members are vocalist, guitarist and songwriter Ali Jakupovic, Spellemann Award-winning producer and multi-instrumentalist Mathias Risdal, and drummer/percussionist Rashad Safin. With backgrounds from Bosnia, Norway, and Morocco, and diverse musical roots, they merge their influences into a distinct sonic identity, as is evident in “Us Two.” The song is a release from the band’s upcoming album “Inward Waves.”
 
     “Us Two” by Mind Tides  

Lyrics of “Us Two” by Mind Tides
Lady
I remember you glowing
I wish, baby
That you would only know that
 
I would wanna do
Anything for you
You hypnotized me
With your eyes so blue, yeah
 
It’s true…
 
Yeah!
 
Maybe
I’m acting kind of crazy
Because lady
You truly amazed me
 
Though I wish I knew
Your inner truth
In some other life
It could be us two, yeah
 
Us two…
Yeah, yeah, yeah, yeah, yeah, yeah!

Tuesday, August 25, 2026

“Chalk” by lotusbliss

 

      The combination of atmospheric texturing and masterfully layered guitars begins the title track of the debut album from lotusbliss. During the intro, it’s the bass that drives “Chalk” forwardly, which continues when the vocals enter 45 seconds into the song. And the vocal prowess immediately reveals itself as they caress the messaging and questioning of the lyrics.
 
     “Chalk” is an existential exploration of relative strengths of the pull of inheritance against the pushing hand of experience; that is, the interplay of genetics and environment. Lotusbliss explains, “The song questions how physical surroundings and settings work to form the basis of who you are, exploring the collective nature of this growth.”
 
     The members of lotusbliss are brothers Seth, Josh, and Adam, who hail from Canterbury, UK. The credits for “Chalk” identify all three brothers as contributing vocals, while Seth Gauton is the drummer, Adam Gauton plays piano and synth, and Josh Gauton is bassist and guitarist. 
 
     The Spotify stream of the “Chalk” album is embedded below the lyrics of the title track. The band’s comments regarding the album show the passion and care they have for the music. Lotusbliss describes the album as “a lifetime of sibling imagination, rivalry, growth, challenge, work and musing - brought together in an album. Years of writing, digging into concepts, meticulous recording of each instrument before dreaming up visual concepts and planning how to bring the project to you have led us to this point, and we are very proud to hand over ‘Chalk’ to you.
 
     “Chalk” by lotusbliss

Lyrics of “Chalk” by lotusbliss
Chalk in my DNA
In the cells I’m made of
Are we more than the sum of
All of the ones before us?
 
The wrestle will
Keep me running in circles
Keep me running in circles
Keep me running in circles
Running in circles
 
Find your light
Long enough to feel it
Long enough to sound like me
Harmonize
Long enough to feel it
Long enough to sound like me
 
My heart like a lump of clay
It’s a feather pillow
Yeah, I’m less of an English Oak
Than a weeping willow
I got that set in stone
 
Find your light
Long enough to feel it
Long enough to sound like me
Harmonize
Long enough to feel it
Long enough to sound like me
 
Blood, marrow, whispering secrets
Soft silhouettes of myself
 
Find your light
Long enough to feel it
Long enough to sound like me
Harmonize
Long enough to feel it
Long enough to sound like me
[Repeat chorus]

     "Chalk" album

Monday, August 24, 2026

“Pretending It Fades” by The Upsides

 

      “Pretending It Fades” is not the first song to explore how relationships can leave an indelible mark on our perspective after the relationship has run its course. Going back to 1969, Joni Mitchell released “Both Sides Now,” which touched upon how past experiences with romance caused a transition from viewing love as “Moons and Junes and Ferris wheels” to being “just another show.” But the recent release from The Upsides brings this concept to life particularly vividly, noting that certain smells—such as “rain on wood”—can awaken powerful memories, while familiar sounds can instantly transport you “right back in their corner.”
 
     The band describes “Pretending It Fades” as “probably the most straightforward ‘breakup song’ on the [upcoming] album. Some imagery is specific to the relationship in question but there’s a more general and nuanced message around loss. At first, the chorus reads ‘these wounds are taking longer to heal than I thought,’ but as a whole the lyrics say something more like ‘maybe these aren’t actually wounds - this relationship changed me and I’m getting used to my new shape.’”
 
     Instrumentally, the strength is the crystalline guitar that shimmers in the melody, particularly during the verses. In comparison, the chorus is more powerful, allowing the drumming to play a more significant role.
 
     The Upsides are an indie rock band based in New York City. The members are brothers Matt (guitar and vocals) and Dan Fullam (drums) alongside longtime friends Hart Mechlin (lead guitar), Pat Freeman (keys, guitar), and Matt DaSilva (bass). The band is scheduled to release the album “In the Maze” on October 16, 2026 via Dream Wolf Records. Including “Pretending It Fades,” The Upsides have shared three of the eleven tracks from the album. While discussing the themes and origins of the album, Dan Fullman shared,
  “I view ‘In The Maze’ as a succumbing in a way to the chaos and unpredictability of life, and so it’s up to you individually to sort out which path you want to take within that thresher. So many people live with regrets that they chose a comfortable, cookie-cutter life, while so many people love the stability of a certain job, the warmth of family which keeps them sane and away from chaos and that’s beautiful too. I think the smartest people, regardless of what they accomplish in life, find that there are zero universally ‘right’ answers to anything. You do your best, and then you’re dead basically. So go for what you want - the job, the partner, the creative endeavor - and go for it now.”
 
     “Pretending It Fades” by The Upsides

Lyrics of “Pretending It Fades” by The Upsides
Walk with me now
A hand to hold loosely
I stumble on Belgian block through streets
Heart in my mouth, as you look right through me
A dream that ends in a fall
 
I smell the rain on wood, the gas catching flame
And the past wears a perfect face
The house would never have stood, but time plays these games
I’m sure you’re the same
 
I go along, pretending it fades with the seasons
But it’s cold outside
And I’m holdin’ on to pictures you made me believe in
I believe in ‘em now though
 
You’d say there’s always a reason
And I’d just laugh
But now I believe
 
Lying on your porch outside in the boundless night sky
I watched our whole lives unfold
For a second more, for all time
It’s all that my mind could hold
 
I go along, pretending it fades with the seasons
But it’s cold outside
And I’m holdin’ on to pictures you made me believe in
 
And I keep ‘em with me now
Always wish you were around
Even though I can’t afford ya
I get hit with all the sounds and I’m right back in your corner
 
But I got it figured out, got your wisdom with me now
And my picture of the morning
I know it never let you down
I hope it never lets you down
 
I smell the rain on wood, the gas catching flame
And time plays a ruthless game
I’m sure you’re the same
 
I go along, pretending it fades with the seasons
But it’s cold outside
And I’m holdin’ on
I listen in vain for a reason
 
But I think I’m with you now
Always wish you were around
Even though I can’t afford ya
I get hit with all the sounds and I’m right back in your corner
But I got it figured out
Got your wisdom with me now and my picture of the morning
I know it never let you down
I hope it never lets you down

Friday, August 14, 2026

“Tonight” by Dear Darcy

 
      “Tonight” opens with an airy guitar delivering a stadium-ready riff. The effects-laden yet remarkably clean tone immediately commands attention, establishing the first standout feature of the single from Dear Darcy. The appeal of the lead riff is amplified by masterfully layering a rhythm guitar into the arrangement with equal prominence in the mix, and soon introducing power percussion. Staying with the appreciation of guitar, a solo that begins shortly after the two-minute mark further showcases the skills of the band.
 
     Dear Darcy is the project of songwriter and bassist Kim Cordle. The project is based in Muskegon, Michigan. Cordle’s compositions are anchored by a formidable lineup. Drummer Todd Long, noted for his tenure behind the kit for The Verve Pipe, provides the driving percussion. And guitarist Robert Hoppa — a voice of authority from the pages of Guitar Player Magazine — builds the massive, shimmering walls of sound that make the hooks feel both abrasive and anthemic.
 
     Cordle explains that in 1996, “while the airwaves were exploding with massive guitar walls and driving hooks, he wrote a raw, visceral collection of songs. Those tracks sat dormant for 30 years — until now.” It is interesting that Cordle used the term “airwaves, since the “clean” guitar at the start of “Tonight” shares sonic characteristics with those of Tom DeLonge during his days with Angels & Airwaves. DeLonge said that to have a sound different then when he is with Blink-182, “All I wanted was something that sounded like it was echoing over a large place. So I put echoes on everything.”
 
     Dear Darcy is the ultimate unearthed artifact of the ‘90s alternative era: not a retro imitation, but actual 1996 songs, fully realized with modern precision and veteran firepower.
 
     “Tonight” by Dear Darcy
Website: https://www.deardarcymusic.com/
Facebook: https://www.facebook.com/DearDarcyMusic
 
Lyrics of “Tonight” by Dear Darcy
That’s how it begins
Then I turn around and I fall again
 
Trailing into day
It’s sad everything has to end this way
To my dismay
Haunted by the words that I just couldn’t say
 
If we play this right
We’ll be so long gone before it’s light
Close your eyes, we’ll leave tonight
 
My thoughts are with you
When I’m overcome
And the day is through
And I regret
That you can’t remember what I can’t forget
 
If we play this right
We’ll be so long gone before it’s light
Close your eyes, we’ll leave tonight
 
Have I succumb?
Have I become someone I swore I’d never be?
 
If we play this right
We’ll be so long gone before it’s light
Close your eyes, we’ll leave tonight
Close your eyes, we’ll leave tonight
Close your eyes, believe tonight