Friday, May 27, 2022

“Colm's Conquest” by Secondhand Sound – A Song Feature

 

      The anguished verses in “Colm's Conquest” are separated by a chorus that is more relaxed and comforting. The vocals and guitar during the verses touch upon the characteristics that propelled The Strokes onto Indie high ground, whereas the chorus is melody-driven. 


      The website of Secondhand Sound includes the tagline “The Future World’s Biggest Band.” The prediction may be ambitious, but “Colm's Conquest” leaves no doubt that the band is worthy of the designation “Band to Watch!”
 
     Secondhand Sound is based in Nashville. The members are Sawyer John Estok (vocals, guitar), Collin Plank (drums), Cameron Schmidt (lead guitar) and Teagan Proctor (bass). I talking about “Colm's Conquest,” Estok said:
    “What’s interesting about this song is that it’s a rare example of a Secondhand Sound song that didn’t originate on my acoustic guitar. Usually, I sit and pine over a song, specifically lyrics, for months. This one came really fast and that was refreshing”.
 
     “Colm's Conquest” by Secondhand Sound




Tuesday, May 24, 2022

“ready now” by Amistat – A Song Feature

 

     “ready now” invites a "compare and contrast" discussion of the two voices. Because Josef and Jan Prasil of Amistat are twin brothers, there are physical similarities in their vocal cords, resulting in common vocal characteristics. This contributes to the appeal of the harmony. In contrast, one voice is raspy, while the other is melodically smooth. It’s this combination of commonalities and contrast that first grasps and then holds the attention of a listener.
 
     According to the Soundcloud site of Amistat, they are based in Berlin, Germany. But the bio of the twins states that Josef and Jan Prasil were born in Germany and raised in Italy, and that yhey eventually moved to Australia to further propel their music career. What is certain is the 2022 tour schedule of European dates, which is available at https://www.amistatmusic.com/.

     “ready now” by Amistat



Lyrics of “ready now” by Amistat
I found myself among the wolves
I couldn't fight them
 
I found myself among the fools
I couldn't hide from them
 
I sought a way to set things right
Listened to my own advice
I found a light out in the night
And then I realized
 
Hey love I'm ready now
Hey love I'm ready now
 
I have done wrong that may be right
I won't fight that
 
I've set things wrong when they were right
I won't hide that
 
I might be numb but still alive
Waiting for the morning light
My fears and pain seem to have died
I've come to realize
 
Hey love I'm ready now
Hey love I'm ready now
Hey love I'm ready now
Hey love I'm ready now
 
I sought the way to set things right
I found a light out in the night
 
I might be numb but still alive
Waiting for the morning light
My fears and pain seem to have died
I've come to realize
 
Hey love I'm ready now
Hey love I'm ready now
Hey love I'm ready now
Hey love I'm ready now

Friday, May 20, 2022

“Embers” by Moontricks – A Song Feature


      The early vocals in “Embers” feature the alluring harmonization and smooth vocal characteristics that carried the duo of Kenny Loggins and Jim Messina into prominence during the early 1970s. However, the single from Moontricks will never be confused with the Soft Rock style. The single is a genre bender, or more accurately, “Embers” is a genre blender. But Folktronica is the best descriptor. Moontricks takes advantage of many of the production magic that wasn’t readily available in the ‘70s.
    
     In addition to the harmony allure, “Embers” includes a rhythm section featuring periodic shouts of “Woo!” While the single utilizes looping and other process-heavy techniques, it isn’t short on strong musicianship. The guitar at the 3:05 mark is particularly appealing. The banjo is also a draw.
 
     “Embers” was released via Westwood Recordings, an independent record label based in Canada. Moontricks hales from Nelson, British Columbia. They are the duo comprised of Nathan Gurley, who is at the production helm, and Sean Rodman, who is on songwriting and vocals. Content regarding “Embers” explains:
   “Honing in on their humble Kootenay origins, the duo craft roots-grounded instrumentals in high spirits. Executing a boot-stomping performance equipped with lyrical whimsicality, Moontricks bring the essence of outdoor adventure to musical form.”
 
     The reference to “outdoor adventure” is especially meaningful when looking at the tour schedule of Moontricks (for the schedule CLICK HERE). The word “Festival” appears in nearly all of the scheduled visits.
 
     “Embers” by Moontricks


Thursday, May 19, 2022

“Devil In The Wine” by The Easy Wild – A Song Feature

 

     The bar’s never a good place to hang for atonement // When my demons are buying, the tab is always open.” The single from The Easy Wild launches with self-awareness that is intelligently and invitingly presented, immediately drawing the listener into the description. “Devil In The Wine” delivers a confession and a plea for divine assistance.
 
     The guitars at the start also generates a magnetic pull toward “Devil In The Wine.” The clean guitar that is first heard after the phrase “the tab is always open” is particularly appealing. At times, the instruments turn more forceful and align with the vocal melody. But there is always a complementary connection among the lyrics, the vocal emotion, and the instrumentation.
 
     The voices of The Easy Wild are those of Jeremy and Mercy Drinkwine, a husband-and-wife duo based in Nashville, Tennessee. Jeremy is a Nashville native, while Mercy is originally from Houston, Texas. “Devil In The Wine” is one of six tracks on their recently released EP “Flowers From Ashes.” The vocal chemistry between the two is evident in the song, but particularly shines through during “I Love You,” another song on the EP. Quoting a description of the EP with which we agree:
   “Their vocals, melodies and unexpected time changes may stand out as quick and sweet ear candy but it’s The Easy Wild’s deeply focused lyrics that shine through as the subtle hero in their sound.  From alcoholism to the highs and lows of true love to stories of inspiring family members, The Easy Wild digs through the deeper topics of songwriting to say something not typical to popular music.”
 
     “Devil In The Wine” by The Easy Wild



Lyrics of “Devil In The Wine” by The Easy Wild
The bar’s never a good place to hang for atonement
When my demons are buying, the tab is always open
I’m feeling close enough to hell to make an angel melt
This liquor tastes sweet on my tongue and worth the regret
 
But I’m hard up for hope and thirsty for peace
This whiskey goes sour when there’s no quench or relief
 
And I try to drink my way to the mountain top, I try
And I use up all my happy hours praying I can stop, you know I try
 
Jesus save me from the devil in the wine
Deliver these unholy spirits 
From this shot glass shattered mind
Let me taste your goodness, fill my cup
And give me the strength to climb
 
My failures toast whatever heartbreak buys
Here’s to loneliness and swallowing my pride
And I say to hell with these voices and damn all the lies
Turn over the bottle that drowns the brighter side
 
And living water seems a bad metaphor 
But if it raises the dead inside then let it pour
 
Cause I’ve tried to drink my way to the mountain top, I’ve tried
And I’ve used up all my happy hours praying I can stop, you know I’ve tried
 
Jesus save me from the devil in the wine
Deliver these unholy spirits 
From this shot glass shattered mind
Let me taste your goodness, fill my cup
And give me the strength to climb
[Repeated]
 

Wednesday, May 18, 2022

Classical Guitar vs. Acoustic Guitar: Which One Is for You?

 

This is a guest post from Heinz Lewis. Indie Obsessive welcomes Heinz and appreciates the contribution.

Every musician has to start somewhere. For most, that means choosing an instrument.

But for those who decided to go the guitar route, have you ever thought about which type of guitar you’d like to play? A classical vs. acoustic guitar possesses a unique sound and feel, so it's crucial to pick the right one for you.

Whether you’re interested in learning classical guitar or acoustic guitar is more your style, keep reading to know which is the perfect guitar for your musical aspirations.

Appearance

Classical guitars tend to be much larger than acoustic ones, with wider necks and deeper bodies. Their soundboards are also larger, allowing for a richer tone when played. Likewise, it has a decorative piece called a rosette to add visual appeal.

Compared to classical guitars, acoustic guitars have narrower necks and simpler bodies. Plus, they include binding around the scroll for added visual interest.

Neck

When it comes to choosing a guitar, one of the first things people notice is the neck style.

On the surface, the classical and acoustic guitars may seem quite similar. Both feature a solid body and six strings for specific pitches.

But the standard classical guitar has a wider neck than its acoustic counterpart. This makes it easier for musicians to play barre chords or intricate arpeggios.

Classical vs. Acoustic Guitar Strings

The strings are an essential factor for the distinct sound of each type of guitar. That said, classical guitars have nylon strings, producing a soft and mellow sound.

Nylon string guitars are also softer and less likely to break than steel strings on an acoustic guitar. It is also much easier to press down.

Nylon strings are ideal for beginners wanting clean-sounding notes.

In contrast, the acoustic guitar has steel strings, creating a bright sound and a rich tone.

These two guitars' tension is also different on classical and acoustic guitars. Classical guitars have lower pressure.

But even if both guitar strings are made in other materials, you can still use them to play a variety of musical genres.

Here are some strings you can use on a nylon string guitar.

           Bass strings
     Treble strings
     Gut strings

Bridge

The bridge is one of the essential parts of the guitar. It supports the strings and transfers their vibrations to the instrument's body.

Classical guitar has a classic wrap-around bridge. In comparison, the acoustic guitar has a modern bridge.

Strumming Techniques

Strumming the guitar is an essential skill for any musician. There are a variety of strumming techniques you can use.

For classical guitars, a common technique is to use the thumb and first two fingers of the right hand to pluck the strings. The thumb is typically used for fingerpicking the lowest-pitched string. Then, your first and second fingers pluck the higher-pitched strings.

On the other hand, the most common strumming pattern in acoustic guitars is the "down-up-down-up." This pattern varies in several ways, such as strumming down all six-string at once. But you can also only strum down on the lower four strings.

Chords and the Fretboard

There is always a set of chords that will work with the melody and rhythm you are trying to create. So knowing the arrangement of chords on the fretboard is vital if you want to learn guitar.

You can learn many different chord types, each with a unique sound and feel. The basic chord shapes you can learn as beginners include:

      ●     Triads
     Power chords
     Barre chords
     7th chord
     Major and minor chords

Compared to acoustic guitars, classical guitars have broader frets. And if you're planning to play some classical music or flamenco, this instrument is perfect.

Genres

Classical and acoustic guitars are versatile instruments. And you can use them in a wide range of musical genres.

You can hear a classical guitar in all types of genres, including:

      ●     Classical Music: John Williams and Andres Segovia pioneered classical guitar into the mainstream classical world.
     Flamenco Guitars: The flamenco guitar is a fascinating style of music, full of passion and energy.
     Bossa Nova: Bossa Nova is a fun and energetic style of music that originated in Brazil in the 1950s. Its percussive rhythms and catchy melodies became popular among jazz performers.

Meanwhile, acoustic guitars have long been essential parts of popular music genres like:

      ●     Folk
     Country music
     Pop music

If you are a beginner, start with the classical guitar since it is relatively easy to learn for many guitarists. It is an excellent choice for anyone just starting as a guitarist.


“Strange For Love” by Freedom Fry – A Song Feature

 

     At the start of “Strange For Love,” the guitar riff and the rhythm cultivate a sense of forward movement. That sense is in sharp contrast to the lyrics that follow. The song from Freedom Fry is about stagnation in the ability to build a relationship and trying to understand the reason. Simply, “Am I too strange for love?
 
     “Strange For Love” is lyrically intelligent, even when borrowing the line of the Johnny Lee song about “looking for love in all the wrong places.” Among the theories is the possibility that the inability to find love is the result of a curse from the devil. Whatever the reason, it’s not from lack of want:
I had my chances
I had a plan
But it all went up in smoke
And here I stand before you broken
 
Now I get to thinking
That I’m meant to be alone
And I'm too strange for love
Strange for love
 
     An interesting aspect of the single from Freedom Fry is the vocal linger on the third-from-final syllable in certain lines. As an example, there is vocal linger for both occurrences of the work “wrong” in the first verse. It is also interesting that an instrument is introduced in a manner that builds an expectation that an instrumental portion of the song is being initiated, but only four notes are played before the vocals are back into the focus of “Strange For Love.” The first of the four notes is heard at the 2:37 mark.
 
     Freedom Fry is the French/American duo of Marie Seyrat and Bruce Driscol. They are based in Los Angeles. “Strange For Love” is the title song from the duo’s three-track EP.
 
     “Strange For Love” by Freedom Fry



Lyrics of “Strange For Love” by Freedom Fry
Sometimes I get the feeling
I've been looking for love in all the wrong places
And everybody’s saying
It’s my fault for getting hung up on the wrong faces
 
I had my chances
I had a plan
But it all went up in smoke
And here I stand before you broken
 
Now I get to thinking
That I’m meant to be alone
And I'm too strange for love
Strange for love
 
Take me as I am
Yeah, take me as I come
I've been down this lonely road
For so long, so long
Maybe I'm too troubled
Maybe I'm just unlovable
Or maybe I'm too strange
Strange for love
 
Why does it come easier
For everybody else to find someone who cares?
Could it be some devil put a curse upon my head
And left me standing there?
 
I get defensive
I had high hopes
But they all went up in smoke
Yeah, I feel like I'm choking
 
Now I get to drinking
Is this my destiny?
Am I too strange for love
Strange for love?
 
Take me as I am
Yeah, take me as I come
I've been down this lonely road
For so long, so long
Maybe I'm too troubled
Maybe I'm just unlovable
Or maybe I'm too strange
Strange for love
 
Strange for love
Strange for love
 
Take me as I am
Yeah, take me as I come
I've been down this lonely road
For so long, so long
Maybe I'm too troubled
Maybe I'm just unlovable
Or maybe I'm too strange
Strange for love
[Repeat]
 
Strange for love
Strange for love

Tuesday, May 17, 2022

“Islands” by modernlove. – A Song Feature

 

     “Islands” skillfully shifts among strikingly different tempos while reflecting upon difficulties with two relationships – one personal and the other within the family. Intensity transitions are unmistakable, which is not so true for references regarding the two relationships. The start of the single from modernlove. is a saunter that shifts to a fast trot 40 seconds later. Then, a full gallop begins shortly after the one-minute mark. But it’s obvious from viewing the Soundcloud waveform that it’s not a mere sprint to the conclusion.

     Although the guitar riffs are strong and the lyrics are intelligent, it is fair to describe “Islands” as a vocals-driven single. The vocals are smooth and calm at times, then forceful and urgent at other times, while remaining appealing. The band is based in Drogheda, Ireland. The members of modernlove. are Barry Lally (vocals, guitar), Daniel Rooney (bass, synth, vocals), Graham Fagan (guitar, synth, vocals), and Cian McCluskey (drums, vocals).
 
     In talking about “Islands,” the band said:
  “’Islands’ is a classic coming of age story. Trying to cope with the fallout of a family coming apart due to divorce and one’s own romantic relationship coming to an end at the same time. It tells the story of both, blurring them into one at times. The song is about the distances between people in their relationships and how for some, it seems too impossible a task to even try to bridge those gaps. These people are made into ‘islands’ by the oceans they must travel each day to meet and see each other eye to eye.
  The song explores ways people try to deal with this struggle and this loneliness, whether it be drink, drugs or sex but in the end it recognises that they are simply in a painful situation that they must accept and let happen as the song ends with the repeated words: “It’s coming apart and I can’t face it, I don’t wanna break down but I can’t take it.”
 
     “Islands” is one of seven tracks that will be on the EP “Oh My Mind,” which is scheduled for release on July 29 via Akira Records. In November, modernlove. will be touring the UK and Ireland. For locations and tickets, visit https://music.akirarecords.com/modernlovetour
 
     “Islands” by modernlove.



Lyrics of “Islands” by modernlove.
And I liked when you turn the TV up so loud
I could lie here
Just lie here awake for hours
Beneath the static sound of everything crashing down
 
Don’t you want to stay for a while?
Cause I could use someone like you around
 
She left his room when he lost his balance
And she didn’t move back in again when he found it
Said, "Is it too late to change? I love you"
And she said “You’re an island and it’s not my fault
You’re in denial”
Well can we slip away when nobody’s watching
If I promise we get back before they finish talking
The drinks you had went to your head and
You’re mine again
 
But you’re just someone else now
Trying to pretend all those things you’d say in bed
Never mattered, but you know they did
 
You’re just someone else now
 
I liked it when you said
I liked it when you said “We’d be okay”
 
And I die
I die when you’d turn away
And I don’t know what to say when my brother asks
“Is it his? Is it hers? Are we moving house?”
So I arrive home at 4 and I fall through the door
And I’ll get up and go in the cabinet for more
 
If it’s too hard to hear
Then just pretend you didn’t
Or that you don’t recall
Cause you had a few drinks in you
 
She left his room when he lost his balance
And she didn’t move back in again when he found it
Said, "Is it too late to change? To love me?"
She said “You’re an island and it’s not my fault
You’re in denial”
 
Well can we slip away when nobody’s watching
If I promise we get back before they finish talking
The drinks you had went to your head
And you’re mine again
 
You’re just someone else now
Trying to pretend all those things you’d say in bed
Never mattered, but you know they did
You’re an island
 
I liked it when you said
 
You learned to live out on the wrong side of the tracks
You’re an island
And I can’t stay here on my own
I can’t be like this
I learned to kneel in this house
I learned not to mind it
But I can’t stay
Stay
 
It’s coming apart and I can’t face it
I don’t want to break down but I can’t take it
It’s coming apart and I can’t face it
I don’t want to break down but I can’t take it
It’s coming apart and I can’t face it
I don’t want to break down but I can’t take it
It’s coming apart and I can’t face it
I don’t want to break down but I can’t take it

Friday, May 13, 2022

“Light” by The Hi-Jinx – A Song Feature

 

      The intro of “Light” delivers a runway for anticipation to takeoff and for listener attention to land. The song from The Hi-Jinx begins with a contrast of deep-frequency drumming and upper-frequency “delicate” guitar. The bass soon enters the mix to add to the appeal. But it’s the increasingly less subtle crescendo beginning 21 seconds into the song that magnifies the song’s gravitational pull, urging the listener into “the ‘Light.’”
 
     The body of the single does not disappoint. The vocals are strong and fully committed to the message – “When the shadows overwhelm your mind, and when the darkness comes at you from all sides, I’ll be your light.” It’s revealing that “Light” is from “Songs From Lockdown,” the recently released album of The Hi-Jinx. The six-track album is available for purchase at the Bandcamp site https://thehi-jinx.bandcamp.com. “On Hold” is another strong single from the album. The style of “On Hold” is a combination of Canada’s Metric (“Gold Guns Girls”) and LA’s Berlin (but with more Rock and no synth). The Spotify stream of the album is embedded at the bottom of this post.
 
     If the details determine whether a song will withstand the test of time, “Light” has a promising future. The energy transitions are appealing. Typically, we are drawn to crescendos and downshifts are less appreciated. But at 1:42, the cooperation of the vocals and waning guitar should not be ignored. And the execution leading to the longingness in the outro is a standout feature of “Light.”
 
      The Hi-Jinx are based in San Jose, California. The members of the band are
Dianna (vocals, guitar), Jef (backing vocals, lead guitar), John (vocals and drums), and Two-F Jeff (bass).
 
     “Light” by The Hi-Jinx



Monday, May 9, 2022

“Keep Moving” by Riley Pearce - A Song Feature


      Riley Pearce seamlessly shifts through intensities during “Keep Moving.” The song begins with a gentle hook from an acoustic guitar. Vocals and resonant drums soon join. But the energy transition occurs 57 seconds into “Keep Moving,” when choir backing vocals enter. Later in the single, Pearce’s voice is temporarily supported by a quiet almost unchanging intonation.
 
      “Keep Moving” was inspired by a running obsession that Riley Pearce experienced in Melbourne. He says:
  “The exertion of energy was therapeutic, such a great way to get back into nature. I was playing around with drone-like sounds for the verses and got something rhythmically happening. Tapping into this song was a moment of absolute release: I wanted that moment where you're at the top of the hill, looking down."
 
     Pearce is from Perth, Australia. “Keep Moving” will be on his debut full-length album, “The Water & The Rough,” set for release June 10, 2022.
 
      “Keep Moving” by Riley Pearce


Lyrics of “Keep Moving” by Riley Pearce
When I’m out there
I hear it calling
Pulling me forwards
Towards it
 
What am I hoping to see
A man that I’m hoping to be
Breathe in
Breathe out
 
If I don’t catch it now
I might not get another chance
 
Do what you can
Just to keep moving
You gotta
Do what you can
Just to keep moving
 
Move on find a rhythm to return to
A heartbeat you can burn through
That won’t desert you
 
The light as it passes the bend
The freedom that calls up ahead
Breathe In
Breathe out
 
If I don’t catch it now
I might not get another chance
 
Do what you can
Just to keep moving
You gotta
Do what you can
Just to keep moving
 
When I’m gone I hope I leave behind
Places still to find
To the earth I hand you my dreams
For those to follow after me
And to you I leave my sights
And all the wonder it’s seen
For you to call upon
Anytime you need
Breathe in
Breathe out
 
If I don’t catch it now
I might not get another chance
 
Do what you can
Just to keep moving
You gotta
Do what you can
Just to keep moving

Friday, May 6, 2022

“King of the Road” by Wake The Sun - A Song Feature

 

     It’s common for music promoters and publicists to claim that a specific band is equally adept at a span of genres. It’s less common for bands to live up to the claim. The last two releases from Wake The Sun provide evidence that the New York-based band is not genre pigeonholed. Five months ago, the band released “Deep Blue Skies,” which features power vocals and Rock guitar (the song is embedded at the bottom of this post). A comment about Wake The Sun suggested, “Think ‘The Who’ meets ‘The Black Keys.’”
 
      The most recent release is “King of the Road.” It is neither The Who nor The Black Keys. The song instead reminds us of two other bands we follow. The lead vocals are aligned with those of the Southern-touched sound of Moon Taxi, while the vocal purity of the harmonized “yeahs” line up with the backing vocals of Lord Huron. The guitar slide in “King of the Road” adds to the Folksy Rock force of the single.
 
      The first 70 seconds of “King of the Road” exhibit a stepped energy pattern, beginning with a focus on the harmonized backing vocals and ending with an up-tempo full engagement of the band and its instruments. During the remainder of the song, the energy level skillfully and gracefully rises and falls.
 
     The members of Wake The Sun are Dillon Mealey (vocals, rhythm guitar), Jeff Alvarado (bass), Andres Valbuena (drums), and James Rubino (lead guitar). Regarding their single:
   “’King of the Road’ is a song that elucidates the personal reflections of self-actualization and independence. The song is about growing as an individual and also reflecting on nostalgic memories that have helped shape the path that led you here. The song was written while on tour in the back of the van and is an introspective take on one's personal thoughts as you get farther and farther away from home.”
 
     “King of the Road” by Wake The Sun

Lyrics of “King of the Road” by Wake The Sun
I’ve had my share of broken dreams,
I’ve to grown to know they fall to pieces
It’s getting better on my own,
My legs are shot, my grit increases
 
But oh I’m getting used to calling home,
I’m king of the road
 
I’m all I got when I get this low,
My head gets packed with tiny lessons
I should have known I couldn’t grow,
The wide unknown just keeps me guessing
 
But oh, I’m getting used to calling home,
I’m king of the road
 
I wish I had my childhood back,
Like washed out paint on a Cadillac,
The rolling hills blend with the stars,
The brightest sky is who we are
 
But oh, I’m getting used to calling home,
I’m king of the road
     
 
     “Deep Blue Skies” by Wake The Sun

Lyrics of “Deep Blue Skies” by Wake The Sun
I fall into deep blue skies,
I cover my open eyes,
Try not to get nervous and carried away,
Just fall into deep blue skies
 
I don’t know why I tried it,
I could not say,
A purified vibration,
Took ahold of me,
I don’t how,
My fantasies,
Keep running away
 
There ain’t no use in fighting,
Rose colored frames,
When we are joined together,
We tessellate
I don’t know how,
My fantasies,
Keep running away
 
You're caught in the fire of yesterday
Just open your mind and float away
 
I don’t know why I tried it,
I could not say
When we are joined together
We tessellate,
I don’t know how,
My fantasies
Keep running away
 
You're caught in the fire of yesterday
Just open your mind and float away
 
I fall into deep blues skies
I cover my open eyes
Try not to get nervous and carried away, yeah
Just fall into deep blue skies, oh yeah