“Love In Blue” and “Get It Right” by Neurotypes – Song Features

     Canada-based Neurotypes recently released “Violence District,” a six-track album that showcases the band’s sharp production and stylistic range. Standout tracks “Love In Blue” and “Get It Right” draw on New Wave, Post-Punk, and Synthwave influences, resulting in tightly constructed, rhythm-driven songs that almost irresistibly invite toe taps and shoulder shimmied.
 
     “Love In Blue” opens with instrumentation that feels like a spotlight moment — the kind of sound that announces a band’s arrival on stage. But only 15 seconds in, a kick drum ignites momentum, shifting the track into an atmospheric condition that feels grounded yet electric, as if declaring, “Hang on — we’ve landed.”  The bass soon joins to enhance the rhythmic power. And the reverb vocals fit well with the instrumentation. Later, after the three-minute mark of “Love In Blue,” the song creatively shifts into a less melodic, yet highly appealing, Experimental Synthwave soundscape.
 
     “Get It Right” is similarly a rhythmic marvel, but the bass plays a more significant role in driving the song’s energy. The song remains consistent to itself, but the vocals appealingly feature a higher pitch, beginning around 2:10. Neurotypes describe the song as Shoegazey guitars over lyrics of change and acceptance of lost friendship.
 
      Neurotypes is the project of Nat Resi of Ottawa, Ontario. The Bandcamp site states that the project features “Mumblewave from Canada.” The credits for the album, “Violence District,” identify Hannah Judge as a contributor. Judge uses the performance name fanclubwallet for her releases
 
     "Love In Blue” by Neurotypes

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     “Get It Right” by Neurotypes

     “Violence District”