“Dance With Me” by Sam Himself – A Song Feature

 

     The song opens with contributions that are individually non-complex, yet collectively powerful. A synth playing a repeating four-note sequence is soon joined by gentle acoustic guitar and baritone vocals with a relaxing gravelly quality. And the first line of the lyrics is an uninsightful, everyday question – “So, who’s making coffee?”. The start is simple but attention-gripping, baiting the listener with expectations for even more. The “more” arrives 23 hypnotic seconds into “Dance With Me,” when percussion and an electric guitar enter without disrupting the intimacy of the song from Sam Himself.

     Still, the full beauty of the song isn’t revealed until the lead vocals are joined by more melodically smooth backing vocals at 0:44. The contrast is striking. The female vocalist is Boshra AlSaadi, who is from Damascus, Syria, but currently resides in New York. And the full splendor of Dance With Me” isn’t appreciated until the final minute, when the song crescendos to an energizing summit, then drops to a conclusion that is instrumentally calm and lyrically telling - “Dance with me / Nothing’s ever worth fighting for / In the end”.
 
     Sam Himself is the musical project of Samuel Koechlin. He was born in Switzerland. But “Dance With Me” was recorded at Outlier Inn Studios in New York’s Catskill Mountains. In addition to identifying Boshra AlSaadi as female backing vocalist, the song’s credits note that Josh Werner contributes bass. Sam Himself is preparing to release the album “Moonsongs,” which will include “Dance With Me.” The album is scheduled to drop in Spring of 2025 (produced by Daniel Schlett (Iggy Pop, The War on Drugs) and mastered by Greg Calbi (Bruce Springsteen, Iggy Pop)).
 
     “Dance With Me” by Sam Himself

Facebook: https://www.facebook.com/samhimselfmusic/
Website: https://www.samhimself.com/
Streaming opportunities: https://ffm.to/DanceWithSam

Lyrics of “Dance With Me” by Sam Himself
So, who’s making coffee?
Been lying here awhile
Too late for whiskey
It might be time
 
It might be time
 
So dance with me
Like there’s nothing worth fighting for
Dance with me
Like it’s all right, it’s all right, it’s all right
It’s all right now don’t think twice
 
Cards on the nightstand
Your head or mine
I’ll cry like an orphan for you
Smile like a knife
 
The worst of us got the best of us
Now the best we got ain’t good enough
It might be time
 
So dance with me
Like we never danced before
Dance with me
Dance with me all the way to the door
 
Dance with me
Love makes losers of us all
Dance with me
Like it’s all right, it’s all right, it’s all right
It’s all right now don’t think twice
Like it’s all right, it’s all right, it’s all right
It’s all right now don’t think twice
 
Dance with me
Nothing’s ever worth fighting for
In the end
 

"The Morning" by Oliver Hazard – A Song Feature

 

     The first verse of “The Morning” transforms a casual encounter into an active listening experience, attempting to identify the nuances and well-crafted subtleties that elevate the enchantment level of the song above those of other emotionally appealing songs. One easily recognizable feature is the melodic charm and beauty of the acoustic guitar that opens the single from Oliver Hazard. The guitar melody shines during each space within the intervaled and harmonized vocal delivery.
 
     Additional instrumentation begins to enter 53 seconds into “The Morning,” but the vocals are already at their maximum appeal from the start. Still, the energy shift at 2:38 adds to the life of the song and enhances the emotion behind the lyrical message. The band explains:
   "The Morning" explores the intricacies of time. The song contemplates the uncertain paths of our relationships. Each day we confront the unknown, where no one can guarantee that tomorrow remains as it was today. “The Morning” is a song about timing. Timing is one of the most important things in life, and it can be a tough thing to navigate. Missed connections, missed opportunities. “The Morning” is a song about our relationships in life and wondering where exactly they will be the following morning. The song whispers that tomorrow could bring change, urging us not to assume that it will mirror today.
 
     The members of Oliver Hazard are Michael Belazis (vocals, guitar) and Devin East (vocals, guitar), and Nate Miner (keys, vocals). They are based in Waterville, Ohio. The band name is a shortening of “Commodore Oliver Hazard Perry,” a local hero during the War of 1812. “The Morning” is a single from their upcoming 6-song EP, “Raindrop River,” which promises to be a collection of warmly harmonic tracks.
     For opportunities to pre-save the “Raindrop River” EP, go to https://oliverhazard.ffm.to/raindropriver.
 
     "The Morning" by Oliver Hazard

Facebook: https://www.facebook.com/oliverhazard
Website: https://www.olihazard.com/

Lyrics of "The Morning" by Oliver Hazard
Ticking time but not for granted
Feeling weather on the way
You were pulling on your raincoat
You said you would like to stay
 
Would you love me in the morning
Maybe I'm wrong
Maybe we could love this time
Would you wake me on the surface
Maybe I'm wrong
Maybe you'll love me all the same
Same
 
Pushing cars along the alley
Fearing all we have is time (time, time)
I'm not older I'm just wiser
Hope I see you down the line
 
Would you love me in the morning
Maybe I'm wrong
Maybe I'll wake up this time
Would you wake me on the surface
Maybe I'm wrong
Maybe you'll love me all the same
Same

Would you love me in the morning
Maybe I'm wrong
Maybe we could love this time
Would you wake me on the surface
Maybe I'm wrong
Maybe you'll love me all the same
Same
 
Would you love me in the morning
Maybe I'm wrong
Maybe I'll wake up this time
Would you wake me on the surface
And maybe I'm wrong
Maybe you'll love me all the same
Same
Same
Same

“Incarnadine” by The Bottoms – A Song Feature

 

      The layered guitars during the intro give notice of the sophisticated texturing of “Incarnadine.” Shortly, the vocals enter with almost unmistakable proof that Grunge influenced the writing and performance by The Bottoms. The song appealingly blends sensibilities from various genres, primarily Rock and Grunge, but backing vocals often have the reverberated sonic texture characteristic of Dream Pop.
 
     Instrumentally, the highlight for many listeners is likely the soft layered guitars featured at the start of “Incarnadine,” as well as during the body of the song. Perhaps more praiseworthy is the Rock guitar that is first heard at 1:10, and that is most forceful at 2:30.
 
     The members of The Bottoms have diverse musical backgrounds. They are vocalist/guitarist Jason Rhein (Rotary Downs), keyboardist/vocalist Michael Girardot (Revivalists), lead guitarist Eric Nichelson (Midlake), drummer Eric Nelson, and bassist Charles Depret. During “Incarnadine,” the guest backing vocalist is Tif Lamson (Givers, Shania Twain). They are based in New Orleans, and describe their sound as “Fun, vocally driven Alternative Rock music.”
    
      “Incarnadine” by The Bottoms

Facebook: https://www.facebook.com/bottomsneworleans/
Website: https://thebottomsrock.com/

Lyrics of “Incarnadine” by The Bottoms
I found God
In the Crossfire
And I spoke in tongues
Like you said I would
 
Then I forgot
How to trust my voice
And I broke her heart
Like you said I would
 
Louisiana calling me to stay
On fire
But California showed another way
To God
It's quiet on the porch after the rain
I'm high
 
I found God
In the redwood forest
I smoked my lungs
And I played this guitar
 
Then I got lost
In your father's house
And I packed my car
While you lost your mind
 
Louisiana calling me to stay
On fire
But California showed another way
To God
It's quiet on the porch after the rain
I'm high
Echoes of the weight of yesterday
So high
 
I found God
In this moment now
As I sing this song
And I, I play this guitar
 
Sometimes I'm lost
When my mind runs wild
So I take a breath
To return again