Thursday, July 9, 2026

Small Town Life according to Jamie Webster, The Victim, and S.G. Goodman

      Few subjects have inspired songwriters as consistently as growing up in a small town. Across Rock, Country, Folk, Americana, Pop, and even Punk, artists have lyrically returned to the familiar streets, neighborhood diners, Friday night football games, and generations of shared history that define life in close-knit communities. Sometimes these songs celebrate the comfort of knowing every face and every back road. At other times, they portray small towns as places of confinement, where dreams are limited by expectations and the desire to leave becomes irresistible.
 
     Perhaps the ones that pop into mind first is the nostalgic "Small Town" by John Mellencamp and Bruce Sprinsteen’s “My Hometown.” In Country, Merle Haggard professes his pride in being an “Okie from Muskogee.” The Beatles were not from a small town, but their song “Penny Lane” has that feel because they focused on a single neighborhood. Simon & Garfunkel sang about “My Little Town.”
 
     Below are three more recent songs about small towns.


     Like The Beatles, Jamie Webster is from Liverpool. He recently released “Small Town Life.” In explaining the single, he said”
  “There is a sense of community running through it. Looking after each other, standing together, backing one another. Not because life is perfect, but because it's real. It's about the beauty you can find in ordinary places and ordinary lives. It's blood, sweat, tears, pints, football, friendships and families. It's life as most people actually live it.”

     "Small Town Life" by Jamie Webster

Lyrics of "Small Town Life" by Jamie Webster
Don't play the game; just change it
If you reach for the moon... falling on the stars won't matter
These rules are made for breaking
It's taking the blows... to realise that you won't shatter
 
Oh in a three stripe, street light, dead end town
Where they'll lift you up and they'll knock you down
Oh I know and I know what I do comes back around
But there's a sunshine skyline you can't steal
And if you're feeling scarred it'll help you heal
Oh I know that it’s not perfect but it’s real
 
In this small town life
At least it’s mine
We can fall or we can fly
 
In this small town life
Dreams pass you by
Still we stand side by side
 
In this small town life
 
I could stay here forever
See the architecture in your eyes
Characters on every corner
Tragedy and jubilation
As we sing through the struggles
The history it’s in the water
 
Another street light street fight in this town
And you can sign me up for another round
Every punch that you throw no it won't keep me down
Cause there's a sunshine skyline you can't steal
And if you're feeling scarred it'll help you heal
Oh I know that it’s not perfect but it’s real
 
In this small town life
At least it’s mine
We can fall or we can fly
 
In this small town life

Dreams pass you by
Still we stand side by side
 
In this small town oh
 
You know where to find me
Where people stand behind me and...
I'll stand behind you too
 
You know where to find me
Where people stand behind me and...
I'll stand behind you too
 
In this small town life
At least its mine
We can fall or we can fly
 
In this small town life
At least its mine
We can fall or we can fly
 
In this small town life
Dreams pass you by
Still we stand side by side
 
In this small town life


     Following a debut album praised for its quiet strength and uncompromising songwriting, The Victim returns with the single "This Town" – a dark and compassionate portrait of small-town life and the places where dreams are slowly worn down by everyday routines.
 
     With “This Town,” The Victim offers a dark, compassionate portrait of a place where dreams gradually erode under the weight of everyday life. The song drifts through empty streets, frayed lives and a community marked by silence, hope and resignation, told through a stripped-back, understated poetry that clearly draws on the traditions of American folk and Americana.
 
     This Town” by The Victim


Lyrics of “This Town” by The Victim
The streetlights hum as twilight fades
Rust creeps down the window shades
Kids throw stones in the empty creek
While tired mothers barely speak
Old men stare through the liquor store glass
Counting the days they know won’t pass
The air is thick with things unsaid
Like every dream this town forgets
 
Yeah, this is the town that goes to sleep
Where broken promises run deep
Kids grow up, learn not to dream
‘Cause dreaming cuts deeper than it seems
The stars don’t shine, they just creep
Over the town that goes to sleep
 
Mary’s got a night shift at the mill,
Hands worn rough, but iron will.
She counts the hours through the cold,
Holding tight to stories untold.
Down at the bar the radio plays,
Songs from better, brighter days.
Outside, the moon’s a silver thief,
Stealing hope beneath the grief.
 
Some nights I walk the railroad tracks
Looking for ghosts who never came back
With a book in my coat, a prayer in my breath
Trying to outwalk this kind of death.
 
This is the town that goes to sleep
Where even God don’t dare to speak
The diner’s dark, the jukebox dead
We play old songs in our heads.
 
Yeah, this is the town that goes to sleep
Where broken promises run deep
Kids grow up, learning how to fight
‘Cause dreaming cuts deeper than a knife
Some nights I cry, some nights I just keep
Living in the town that goes to sleep
 
And maybe one day I’ll break away
Catch the last train, fade into gray
But tonight I’m down on my knees
In the town that goes to sleep.
     “Snapping Turtle” is a therapeutic venture from S.G. Goodman. She explained:
  “That song came to me as seasons that have passed, and is a window into my process of understanding the impact of moving through time and in understanding how it shapes you and others, as well as reconciling with both a past and future where certain factors were out of your control. It’s a seamless story, with no true chorus, much like my persistent dreams and conversations in therapy.” 

     “Snapping Turtle” by S.G. Goodman

Lyrics of “Snapping Turtle” by S.G. Goodman
When you're a farm kid in a small town
You drive before the legal age
And I won't forget that day
When I drove up on some low-down kids
They were all huddled around a poor snapping turtle
Taking turns with a stick
They were beating the hell out of it
So I asked if I could take a lick
 
When I raised my hand, I brought down the wrath of God himself
Beat those kids till they were crying out for help
I couldn't help myself
Then threw the turtle in the truck
Ooh, small town is whеre my mind gets stuck
 
Leann, thoughts go back again to Lеanna
Eighteen became a mother
Leann, thoughts go back again to Leanna
Already raised her little brother
 
I recall a train ride through the countryside
In the south of France
Young, poor, and weighing my circumstance
And where I couldn't play God
 
Leann once spent a summer in Paris - Paris, Tennessee
The only Paris Leann would ever meet
We talked about it all on a bleacher seat
When we were back in county school
 
I grew up hard on bottom land
Where only crops should grow
Watched people reap what the demons sowed
And I take it with me everywhere
 
And I've been told I can come off hard
Hard as the world I've known
Walking around with my spirit broke
Surprised to see love every now and then
 
Told to pray for forgiveness, oh, and to pray for grace
Not after seeing Leanna's face
A life beat down like that snapping turtle day
God could have thought up a better way
To teach me just how small I am
To teach me the other side of luck
 
Ooh, small town is where my mind gets stuck
Ooh, small town is where my mind gets stuck
Ooh, small town is where my mind gets stuck
Ooh, ooh, small town is where my mind gets stuck
Ooh, ooh, small town is where my mind gets stuck

Tuesday, July 7, 2026

“String of Luck” by zeronic

 

     The synth outburst immediately announces the song’s allegiance to Post-Punk sensibilities. The synth’s sonic eruption carries “String of Luck” to the first verse, which features a purposeful vocal presentation and percussive drive. The drumming is forceful and consistently present, contrasting well with the more delicate and strategically timed, yet equally commanding, guitar.
 
      The single from zeronic is the second release from their upcoming album, “Modernism.” The ten-track album is scheduled for release on October 2, 2026. While explaining the meaning of “String of Luck,” the band said:
   The song captures that feeling of collectively waiting for something to happen — in places where life moves a little slower, there can be a sense that life is unfolding somewhere else. A string of luck becomes less about individual success and more about the hope that something unexpected might come along and lift the whole room."
 
     While composing “String of Luck,” the aim was for a consistent pulse and flow that carries the listener forward, mirroring the anticipation running through the lyrics. As they put it, "One of the biggest challenges was resisting the urge to overcomplicate the arrangement and instead trusting the song's momentumLooking back, it's probably one of the tracks that stayed closest to its original idea from the very beginning.”
 
     Zeronic is based in Austria. The band is fronted by Mik Tanczos (vocals, synth, guitar). The credits of the early release from the “Modernism” album ("The Hope And The Enemy”) identified the other two members of zeronic as Rainer Kossits (guitar) and Paul Trummer (percussion).
 
     String of Luck” by zeronic

     Quoting interestingly helpful information about the upcoming album:
  At its core, Modernism wrestles with what it means to live inside constant acceleration. The ten tracks circle the same handful of questions: how to stay close to people while everything pulls toward distance, how optimism and disillusionment can sit in the same breath, what it means to belong somewhere while also wanting out. The band isn't interested in dismissing the modern world outright — instead, the record sits inside its contradictions, finding something worth holding onto even amid the unease.
 
  The album took a full year to write, and the process was anything but tidy: roughly twenty-five songs and sketches were worked on before the band narrowed things down to the ten that made the cut. What's notable is how little resistance the material put up — the songs found their shape quickly, and the sessions carried an openness that the band hadn't felt in years, closer in spirit to their earliest days than anything since. Musically, the record swings between stripped-down, guitar-forward moments and bigger, more layered arrangements, pulling from both ends of zeronic's catalogue. Despite its title, Modernism isn't really fixated on technology or progress as subjects — it's interested in the people trying to live alongside them, and the ways they keep reaching toward each other regardless.
 
  "Modernism is about trying to remain human in a world that's constantly being optimised," the band explains. "The songs explore the tensions of modern life — connection and isolation, progress and disillusionment, belonging and escape. But beneath those ideas, it's really a record about people trying to hold on to what matters and find one another."

Thursday, July 2, 2026

“The Hearing” by Rick Maddocks

 

     We traveled through our Oboe-in-Indie phase at the start of last year. The standout song was “Twist In My Sobriety” by Tanita Tikaram. That song dates back to 1988. It was significantly more successful in Europe than in the U.S. “Our bad!”
 
     Another strong oboe-featured song was released after our oboe phase came to a peaceful end, because the number of songs proved to be more limited than even bagpipe-featured tracks. “The Hearing” is a creative masterpiece. It borrows from the Spaghetti Western genre (unmistakable at 3:49), includes instruments seldom used by Indie artists, and is found as track 15 of a concept album tracking the life of an oil baron. In explaining the album, “Blue Horse Opera,” Rick Maddocks said:
  The album was inspired by the climate emergency and spaghetti-western soundtracks. This song cycle is not an opera opera—it's a horse opera, as in the old slang term for a western film. The songs and instrumentals fuse folk, indie, classical, americana and country music, evoking vast, surreal landscapes and some surprises along the way. “BLUE HORSE OPERA” imagines a world upside down in which the blinding deserts of spaghetti westerns have become the Canadian oil sands. A cinematic narrative unfolds against this backdrop, exploring environmental and emotional depths.”

     Regarding "The Hearing," the song "is an invocation ...a ghostly testimony in the desert, where the spirits of former oil workers are given a hearing before the fossil-fuel powers that be (or that used to be). We hear from both sides. The song features an eclectic collision of sounds, from synth to oboe to lap steel to trumpet to soprano vocals to flamenco stomps."
 
     Contributions to the album included the following musicians: JP Carter - trumpet; Dory Hayley - soprano vocals; Stephen Lyons - drums; Liam MacDonald - percussion; Geronimo Mendoza - oboe and English horn; James Meger - bass; Tyson Naylor - keyboards and accordion; Dayna Szyndrowski - flamenco dance; Jon Wood - electric guitar, banjo and lap steel; Joshua Zubot - violin; Leah Abramson and Julia Ulehla - backing vocals.
 
     The Hearing” by Rick Maddocks

Lyrics of “The Hearing” by Rick Maddocks
We, the undersigned, accepted each term and condition
Little did we know then, we’d be standing before this commission
We went where money was, even if it meant the middle of nowhere
You sold us plastic homes; they were identical but for the number
 
Please let the record show
We gave them all a place to go
 
We were as you are now; we scratched and clawed and we tended our corners
We dug up all the dark; you got your silver and we became mourners
 
Be careful what you say and do
Be careful what you’re thinking too
 
We sleep in the dust
Everything in this country must
You think you own this land
You’ll die with your heads in the sand
In the sand
 
Taló los arboles; y en la arena cruzó una raya
A woman on a horse rides down a highway surrounded by fire
 
You pay off every ghost to disappear where there once were forests
There’s nothing left here now; nothing but ruins and disaster tourists
 
Silence in the hall
Or we’ll line you up against the wall
And to the members of the press
I’ve nothing to deny or confess
 
Hark, the trumpets sound
We hear them deep underground
Wind whips up the dust
The storm it will rise with us...rise with us...

     “Twist In My Sobriety” by Tanita Tikaram

Lyrics of “Twist In My Sobriety” by Tanita Tikaram
All God's children need travelling shoes
Drive your problems from here
All good people read good books
Now your conscience is clear
I hear you talk, girl
Now your conscience is clear
 
In the morning when I wipe my brow
Wipe the miles away
I like to think I can be so willed
And never do what you say
I'll never hear you
And never do what you say
 
Look, my eyes are just holograms
Look, your love has drawn red from my hands
From my hands you know you'll never be
More than twist in my sobriety
More than twist in my sobriety
More than twist in my sobriety
 
We just poked a little empty pie
For the fun that people had at night
Late at night don't need hostility
Timid smile and pause to free
 
I don't care about their different thoughts
Different thoughts are good for me
Up in arms and chaste and whole
All God's children took their toll
 
Look, my eyes are just holograms
Look, your love has drawn red from my hands
From my hands you know you'll never be
More than twist in my sobriety
More than twist in my sobriety
More than twist in my sobriety
 
Cup of tea, take time to think, yeah
Time to risk a life, a life, a life
Sweet and handsome
Soft and porky
You pig out 'til you've seen the light
Pig out 'til you've seen the light
 
Half the people read the papers
Read them good and well
Pretty people, nervous people
People have got to sell
News you have to sell
 
Look, my eyes are just holograms
Look, your love has drawn red from my hands
From my hands you know you'll never be
More than twist in my sobriety
More than twist in my sobriety
More than twist in my sobriety
 
Look, my eyes are just holograms
Look, your love has drawn red from my hands
From my hands you know you'll never be
More than twist in my sobriety
More than twist in my sobriety
More than twist in my sobriety