Tuesday, September 15, 2026

“You Can't Kill My Love” by Possumwulf

 

     Because “You Can’t Kill My Love” draws on elements from diverse genres, Possumwulf’s track lends itself well to compare-and-contrast discussions. The beginning features alien-invasion Electronica sitting atop down-to-earth, energizing percussion and an acoustic guitar that occupies the space between Outlaw and Red Dirt Indie. Soon, the vocals enter with charismatic conviction, adding a compelling presence to the arrangement.
 
     It’s relatively easy to distinguish the individual contributions during the first minute of “You Can’t Kill My Love.” The same cannot be said about the final minute, when the mixing allocates equal emphasis to the vocals and the combination of Rock and orchestral instrumentation. Female backing vocals significantly enhance the sense of anguish. In explaining the song, Possumwulf said:
  “Orchestral crank-wave inspired red dirt indie expressing defiance in the face of autocratization. Hints of Mary in the Junkyard’s intricate arrangements & Cusk’s menacing folk instrumentation. Recorded in the remote Ouachita Mountains of western Arkansas. Ethereal strings and acoustic guitar give way to a wall of fuzz and skronking horns.”
 
     Possumwulf is based in Little Rock, Arkansas. The sound is identified as: “Crank-wave-inspired indie, kicking at the fences of pop, post-rock, & sundry Americana while maintaining a distinctly Southern POV. Fuzz pedals. Death cults. Steel guitars. Hillbilly doom pop for the collapse.”
 
     “You Can't Kill My Love” by Possumwulf

Lyrics of “You Can't Kill My Love” by Possumwulf
You can rend my flesh
Powder my bones
Crush my body
Beneath that cold and ancient stone
 
Open up
That old book of law
Recount my sins
To the angels above
 
But you can't kill my love
 
They can salt the earth
They can burn the homes
They can black the sky
Until the smoke chokes out my lungs
 
Rule the land
With a cruel and vulgar tooth
Bind the hands and
Pluck out the eyes of the youth
 
But I still know the truth
 
We can all cut loose
Anytime we choose
But my aching hands will not release
The tattered line that tethers me to you
 
A crossed out page
Tossed away
Makes no difference now
You've had your say
 
When you walk out past the wire
Take that heart from off your sleeve
The boys out in the fog
Are not easily deceived
Lilting spectres in the gas
All greed and lust and bone
Everybody's got a story, honey
The weight is ours alone
 
Cut the cables and push the stone
Cut the cables and push the stone
Cut the cables and push the stone
Cut the cables and push the stone

Sunday, September 6, 2026

“Camouflage” by Babe Rainbow

 

     Camouflage” leans into the aesthetics of jazz-fusion grooves popularized by Steely Dan in the 1970s. The jazz-infected rhythm is tight, echoing the polished production characterized by the work of Walter Becker and Donald Fagen in their albums “Aja” and “Gaucho.”
 
     The members of Babe Rainbow are Jack “Cool Breez” Crowther (guitar), Angus Dowling (vocals), Miles Myjavec (drums, flute), and Elliot O'Reilly (bass). The band is based in Byron Bay, New South Wales, Australia. “Camouflage” is a track from the band’s seventh album, “Acid and Honey.”
 
     Camouflage” by Babe Rainbow

Lyrics of “Camouflage” by Babe Rainbow
Camouflage your emotional, combinational
Ever lost in understanding
Thinking of the oceanside
Feeling all warm inside
 
We're talkin', talkin', talkin', talkin', talkin', talkin', talkin'
With your open mind
Flying by, the thought has gone
Winding down the river (Ooh, one day)
Passing by the pines (Ooh, one day, yeah, yeah)
 
I like the way that you talk
I like the way that you don't mind
We're pushing on the with bill
I like the way that you don't try
 
Camouflage your emotional, combinational
Ever lost in understanding
Thinking of the oceanside
Feeling all warm inside
 
We're talkin', talkin', talkin', talkin', talkin', talkin', talkin'
With your open mind
Flying by, the thought has gone
Winding down the river (Ooh, one day)
Passing by the pines (Ooh, one day, yeah, yeah)
 
And the writing's on the wall
Hats off to you
And the dolphin hears a call
Into the wild
You're goin' in for a while
 
I like the way that you talk
I like the way that you don't mind
We're pushing on the with bill
I like the way that you don't try
 
(Beginning at the top)
 
Camouflage your emotion, emotion
Camouflage your emotion
 
Cool
So cool
[Repeating]

Tuesday, September 1, 2026

“Dance” by Grandmas House

     The single from Grandmas House immediately found space on three IO playlists – “Post-Punk,” “Raspy Vocals,” and “Best Indie of 2026 (So Far).” There was even a temptation to place “Dance” on the “Saxophone” playlist. It’s a song that aggressively bears a sword, but still bares its heart.
 
     “Dance” portrays loneliness and angst, while using dance as a coping mechanism even though dancing connects to the relationship that triggered the loneliness (“You used to watch me dance”). The relationship even created mental instability (“My brain, so rotten”).
 
     The track is an invigorating single from the quartet’s debut album, “Baby You’re A Winner,” which was released under Brace Yourself Records. The band is based in Bristol, UK. The members are Yasmin Berndt (lead vocals, guitar), Poppy Dodgson (backing vocals, drums), Zoe Zinsmeister (bass, backing vocals), and Polly Jessett (guitar). While not a member of the band, Morgan Wallace contributed the saxophone in “Dance.”
 
     “Dance” by Grandmas House 


Lyrics ofDance” by Grandmas House
My bed, so cold
My brain, so rotten
In the dark, I keep on falling
Can you feel it?
 
My bed, so cold
My brain, so rotten
In the dark, I keep on falling
Can you feel it?
 
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance
 
And the darkest hole is always lighter than we see
Pouring from another cup, but I heard that wasn′t me
The hundred trees that I planted in the dirt last year
Never left this place, or so I heard
 
Ever blue, I'm always blue
Heard a song reminding me of you
My head moves up and down, my eyes are glazed
My body starts to shake
 
You used to watch me dance
You used to watch me dance
You used to watch me dance
 
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance
 
In the morning, you used to watch me dance
In the darkness, you used to watch me dance
You watch, I dance
You watch me dance
You watch, I dance
You watch me dance
You watch me dance
 
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance
 
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance, dance
Dance, dance, dance
(In the darkness, you used to watch me dance)