Thursday, July 2, 2026

“The Hearing” by Rick Maddocks

 

     We traveled through our Oboe-in-Indie phase at the start of last year. The standout song was “Twist In My Sobriety” by Tanita Tikaram. That song dates back to 1988. It was significantly more successful in Europe than in the U.S. “Our bad!”
 
     Another strong oboe-featured song was released after our oboe phase came to a peaceful end, because the number of songs proved to be more limited than even bagpipe-featured tracks. “The Hearing” is a creative masterpiece. It borrows from the Spaghetti Western genre (unmistakable at 3:49), includes instruments seldom used by Indie artists, and is found as track 15 of a concept album tracking the life of an oil baron. In explaining the album, “Blue Horse Opera,” Rick Maddocks said:
  The album was inspired by the climate emergency and spaghetti-western soundtracks. This song cycle is not an opera opera—it's a horse opera, as in the old slang term for a western film. The songs and instrumentals fuse folk, indie, classical, americana and country music, evoking vast, surreal landscapes and some surprises along the way. “BLUE HORSE OPERA” imagines a world upside down in which the blinding deserts of spaghetti westerns have become the Canadian oil sands. A cinematic narrative unfolds against this backdrop, exploring environmental and emotional depths.”

     Regarding "The Hearing," the song "is an invocation ...a ghostly testimony in the desert, where the spirits of former oil workers are given a hearing before the fossil-fuel powers that be (or that used to be). We hear from both sides. The song features an eclectic collision of sounds, from synth to oboe to lap steel to trumpet to soprano vocals to flamenco stomps."
 
     Contributions to the album included the following musicians: JP Carter - trumpet; Dory Hayley - soprano vocals; Stephen Lyons - drums; Liam MacDonald - percussion; Geronimo Mendoza - oboe and English horn; James Meger - bass; Tyson Naylor - keyboards and accordion; Dayna Szyndrowski - flamenco dance; Jon Wood - electric guitar, banjo and lap steel; Joshua Zubot - violin; Leah Abramson and Julia Ulehla - backing vocals.
 
     The Hearing” by Rick Maddocks

Lyrics of “The Hearing” by Rick Maddocks
We, the undersigned, accepted each term and condition
Little did we know then, we’d be standing before this commission
We went where money was, even if it meant the middle of nowhere
You sold us plastic homes; they were identical but for the number
 
Please let the record show
We gave them all a place to go
 
We were as you are now; we scratched and clawed and we tended our corners
We dug up all the dark; you got your silver and we became mourners
 
Be careful what you say and do
Be careful what you’re thinking too
 
We sleep in the dust
Everything in this country must
You think you own this land
You’ll die with your heads in the sand
In the sand
 
Taló los arboles; y en la arena cruzó una raya
A woman on a horse rides down a highway surrounded by fire
 
You pay off every ghost to disappear where there once were forests
There’s nothing left here now; nothing but ruins and disaster tourists
 
Silence in the hall
Or we’ll line you up against the wall
And to the members of the press
I’ve nothing to deny or confess
 
Hark, the trumpets sound
We hear them deep underground
Wind whips up the dust
The storm it will rise with us...rise with us...

     “Twist In My Sobriety” by Tanita Tikaram

Lyrics of “Twist In My Sobriety” by Tanita Tikaram
All God's children need travelling shoes
Drive your problems from here
All good people read good books
Now your conscience is clear
I hear you talk, girl
Now your conscience is clear
 
In the morning when I wipe my brow
Wipe the miles away
I like to think I can be so willed
And never do what you say
I'll never hear you
And never do what you say
 
Look, my eyes are just holograms
Look, your love has drawn red from my hands
From my hands you know you'll never be
More than twist in my sobriety
More than twist in my sobriety
More than twist in my sobriety
 
We just poked a little empty pie
For the fun that people had at night
Late at night don't need hostility
Timid smile and pause to free
 
I don't care about their different thoughts
Different thoughts are good for me
Up in arms and chaste and whole
All God's children took their toll
 
Look, my eyes are just holograms
Look, your love has drawn red from my hands
From my hands you know you'll never be
More than twist in my sobriety
More than twist in my sobriety
More than twist in my sobriety
 
Cup of tea, take time to think, yeah
Time to risk a life, a life, a life
Sweet and handsome
Soft and porky
You pig out 'til you've seen the light
Pig out 'til you've seen the light
 
Half the people read the papers
Read them good and well
Pretty people, nervous people
People have got to sell
News you have to sell
 
Look, my eyes are just holograms
Look, your love has drawn red from my hands
From my hands you know you'll never be
More than twist in my sobriety
More than twist in my sobriety
More than twist in my sobriety
 
Look, my eyes are just holograms
Look, your love has drawn red from my hands
From my hands you know you'll never be
More than twist in my sobriety
More than twist in my sobriety
More than twist in my sobriety

Tuesday, June 30, 2026

Favorites in 2026 Indie (so far)

Blink 182 at Outside Lands

        This is the last day in the first half of 2026. Below is the playlist of our favorite Indie songs of the year. It’s a “living” playlist, since the order and the song entries will continue to change until the end of the year. Of course, you’re encouraged to bookmark this blog post or to “Save” the Spotify playlist in order to track the changes.

     If you are interested in reading a review of a particular song, merely use the Indie Obsessive search capability available in the web browser version of this blog page.


Friday, June 26, 2026

“Carol” by Hawk & Steel

 

     Carol” limits itself in length and therefore foregoes the expansive canvas afforded to a nearly ten-minute track. Even so, the release from Hawk & Steel brings to mind one of the most celebrated guitar showcases: The Outlaws’ 1975 classic “Green Grass and High Tides.” Both songs are rooted in Country Rock and feature guitar-driven bridges that begin with a melodic enchantment before blossoming into intricate layers of guitar work, creating a sense of controlled chaos. The guitar jam during “Carol” is compelling, likely leaving concert-goers curious as to whether Hawk & Steel will expand it during live performances, as did The Outlaws with their single.
 
     The two bands are from diagonally opposite corners of the U.S. In fact, Hawk & Steel are based in Victoria, a Canadian city with coastal charm and beauty. Victoria is the capital city of British Columbia. The Outlaws were from Tampa, Florida.
 
      The lyrics of “Carol” are included in this post. The vocalist represents a man hoping to talk privately to Carol, but he is realistic – “I know deep down, you’ll never leave him.” The song is one of ten tracks from the album “Ain't Never Movin' On.” Another recommended song from the album is “Take Me Out,” which includes pedal steel guitar, a guest female vocalist, and saxophone that closes out the track.
 
     The members of the Canadian band are Peter Gardner (vocals, acoustic guitar, electric guitar), Ian Johnson (electric guitar), Rob Phillips (drums), and Rob ‘Bobby’ Walsh (bass). The album benefits from collaborations with longstanding pedal steel player Marc Jenkins, keyboardist Hugh Mackie, saxophonist Andrew Greenwood, and vocalist Charlotte McGee. 

     Quoting interesting content about the album:
  After stepping away in 2017 for a near decade-long hiatus, the band has returned recharged with their first new music in more than a decade. Their third full-length album ‘Ain’t Never Movin’ On,’ marks a new chapter. Featuring ten new songs, Hawk & Steel captures the restless spirit of their earlier work with a deeper, more reflective edge and mature voice.
  On ‘Ain’t Never Movin’ On,’ the band blends twang-soaked guitars, driving rhythms, and introspective lyricism to carve out a distinct voice that feels both nostalgic and urgent. Their songs lean into themes of reflection, change, and emotional honesty.”
 
     Carol” by Hawk & Steel
 


Lyrics of “Carol” by Hawk & Steel
Just call you up to see what you’re doing
I’ve been thinking about running away this season
You’re so good to me, I wish I was dreaming
I know deep down, you’ll never leave him
 
Carol tell me you’re at home, all alone
Without letting him know
Carol tell me you’re at home, all alone
Without letting him know
 
Just call you up to see if you’re sleeping
Well I’ve been thinking about, starting my own season
You’re so good to me, I wish I was dreaming
‘Cause I know deep down, you’ll never leave him
 
Carol tell me you’re at home, all alone,
Without letting him know
Carol tell me you’re at home, all alone,
Without letting him know
 
[Instrumental bridge]
 
Carol tell me you’re at home,
Without letting him know
Carol tell me you’re at home,
Without letting him know