Tuesday, July 7, 2026

“String of Luck” by zeronic

 

     The synth outburst immediately announces the song’s allegiance to Post-Punk sensibilities. The synth’s sonic eruption carries “String of Luck” to the first verse, which features a purposeful vocal presentation and percussive drive. The drumming is forceful and consistently present, contrasting well with the more delicate and strategically timed, yet equally commanding, guitar.
 
      The single from zeronic is the second release from their upcoming album, “Modernism.” The ten-track album is scheduled for release on October 2, 2026. While explaining the meaning of “String of Luck,” the band said:
   The song captures that feeling of collectively waiting for something to happen — in places where life moves a little slower, there can be a sense that life is unfolding somewhere else. A string of luck becomes less about individual success and more about the hope that something unexpected might come along and lift the whole room."
 
     While composing “String of Luck,” the aim was for a consistent pulse and flow that carries the listener forward, mirroring the anticipation running through the lyrics. As they put it, "One of the biggest challenges was resisting the urge to overcomplicate the arrangement and instead trusting the song's momentumLooking back, it's probably one of the tracks that stayed closest to its original idea from the very beginning.”
 
     Zeronic is based in Austria. The band is fronted by Mik Tanczos (vocals, synth, guitar). The credits of the early release from the “Modernism” album ("The Hope And The Enemy”) identified the other two members of zeronic as Rainer Kossits (guitar) and Paul Trummer (percussion).
 
     String of Luck” by zeronic

     Quoting interestingly helpful information about the upcoming album:
  At its core, Modernism wrestles with what it means to live inside constant acceleration. The ten tracks circle the same handful of questions: how to stay close to people while everything pulls toward distance, how optimism and disillusionment can sit in the same breath, what it means to belong somewhere while also wanting out. The band isn't interested in dismissing the modern world outright — instead, the record sits inside its contradictions, finding something worth holding onto even amid the unease.
 
  The album took a full year to write, and the process was anything but tidy: roughly twenty-five songs and sketches were worked on before the band narrowed things down to the ten that made the cut. What's notable is how little resistance the material put up — the songs found their shape quickly, and the sessions carried an openness that the band hadn't felt in years, closer in spirit to their earliest days than anything since. Musically, the record swings between stripped-down, guitar-forward moments and bigger, more layered arrangements, pulling from both ends of zeronic's catalogue. Despite its title, Modernism isn't really fixated on technology or progress as subjects — it's interested in the people trying to live alongside them, and the ways they keep reaching toward each other regardless.
 
  "Modernism is about trying to remain human in a world that's constantly being optimised," the band explains. "The songs explore the tensions of modern life — connection and isolation, progress and disillusionment, belonging and escape. But beneath those ideas, it's really a record about people trying to hold on to what matters and find one another."

Thursday, July 2, 2026

“The Hearing” by Rick Maddocks

 

     We traveled through our Oboe-in-Indie phase at the start of last year. The standout song was “Twist In My Sobriety” by Tanita Tikaram. That song dates back to 1988. It was significantly more successful in Europe than in the U.S. “Our bad!”
 
     Another strong oboe-featured song was released after our oboe phase came to a peaceful end, because the number of songs proved to be more limited than even bagpipe-featured tracks. “The Hearing” is a creative masterpiece. It borrows from the Spaghetti Western genre (unmistakable at 3:49), includes instruments seldom used by Indie artists, and is found as track 15 of a concept album tracking the life of an oil baron. In explaining the album, “Blue Horse Opera,” Rick Maddocks said:
  The album was inspired by the climate emergency and spaghetti-western soundtracks. This song cycle is not an opera opera—it's a horse opera, as in the old slang term for a western film. The songs and instrumentals fuse folk, indie, classical, americana and country music, evoking vast, surreal landscapes and some surprises along the way. “BLUE HORSE OPERA” imagines a world upside down in which the blinding deserts of spaghetti westerns have become the Canadian oil sands. A cinematic narrative unfolds against this backdrop, exploring environmental and emotional depths.”

     Regarding "The Hearing," the song "is an invocation ...a ghostly testimony in the desert, where the spirits of former oil workers are given a hearing before the fossil-fuel powers that be (or that used to be). We hear from both sides. The song features an eclectic collision of sounds, from synth to oboe to lap steel to trumpet to soprano vocals to flamenco stomps."
 
     Contributions to the album included the following musicians: JP Carter - trumpet; Dory Hayley - soprano vocals; Stephen Lyons - drums; Liam MacDonald - percussion; Geronimo Mendoza - oboe and English horn; James Meger - bass; Tyson Naylor - keyboards and accordion; Dayna Szyndrowski - flamenco dance; Jon Wood - electric guitar, banjo and lap steel; Joshua Zubot - violin; Leah Abramson and Julia Ulehla - backing vocals.
 
     The Hearing” by Rick Maddocks

Lyrics of “The Hearing” by Rick Maddocks
We, the undersigned, accepted each term and condition
Little did we know then, we’d be standing before this commission
We went where money was, even if it meant the middle of nowhere
You sold us plastic homes; they were identical but for the number
 
Please let the record show
We gave them all a place to go
 
We were as you are now; we scratched and clawed and we tended our corners
We dug up all the dark; you got your silver and we became mourners
 
Be careful what you say and do
Be careful what you’re thinking too
 
We sleep in the dust
Everything in this country must
You think you own this land
You’ll die with your heads in the sand
In the sand
 
Taló los arboles; y en la arena cruzó una raya
A woman on a horse rides down a highway surrounded by fire
 
You pay off every ghost to disappear where there once were forests
There’s nothing left here now; nothing but ruins and disaster tourists
 
Silence in the hall
Or we’ll line you up against the wall
And to the members of the press
I’ve nothing to deny or confess
 
Hark, the trumpets sound
We hear them deep underground
Wind whips up the dust
The storm it will rise with us...rise with us...

     “Twist In My Sobriety” by Tanita Tikaram

Lyrics of “Twist In My Sobriety” by Tanita Tikaram
All God's children need travelling shoes
Drive your problems from here
All good people read good books
Now your conscience is clear
I hear you talk, girl
Now your conscience is clear
 
In the morning when I wipe my brow
Wipe the miles away
I like to think I can be so willed
And never do what you say
I'll never hear you
And never do what you say
 
Look, my eyes are just holograms
Look, your love has drawn red from my hands
From my hands you know you'll never be
More than twist in my sobriety
More than twist in my sobriety
More than twist in my sobriety
 
We just poked a little empty pie
For the fun that people had at night
Late at night don't need hostility
Timid smile and pause to free
 
I don't care about their different thoughts
Different thoughts are good for me
Up in arms and chaste and whole
All God's children took their toll
 
Look, my eyes are just holograms
Look, your love has drawn red from my hands
From my hands you know you'll never be
More than twist in my sobriety
More than twist in my sobriety
More than twist in my sobriety
 
Cup of tea, take time to think, yeah
Time to risk a life, a life, a life
Sweet and handsome
Soft and porky
You pig out 'til you've seen the light
Pig out 'til you've seen the light
 
Half the people read the papers
Read them good and well
Pretty people, nervous people
People have got to sell
News you have to sell
 
Look, my eyes are just holograms
Look, your love has drawn red from my hands
From my hands you know you'll never be
More than twist in my sobriety
More than twist in my sobriety
More than twist in my sobriety
 
Look, my eyes are just holograms
Look, your love has drawn red from my hands
From my hands you know you'll never be
More than twist in my sobriety
More than twist in my sobriety
More than twist in my sobriety

Tuesday, June 30, 2026

Favorites in 2026 Indie (so far)

Blink 182 at Outside Lands

        This is the last day in the first half of 2026. Below is the playlist of our favorite Indie songs of the year. It’s a “living” playlist, since the order and the song entries will continue to change until the end of the year. Of course, you’re encouraged to bookmark this blog post or to “Save” the Spotify playlist in order to track the changes.

     If you are interested in reading a review of a particular song, merely use the Indie Obsessive search capability available in the web browser version of this blog page.