Thursday, June 12, 2025

“East London Hotel” and “Lighthouse” by Broken Fires – Song Features

 

     Broken Fires have released two tracks from their forthcoming third studio album, showcasing the band’s diverse strengths through the striking contrast between the two songs. “Lighthouse” emphasizes melody and harmony, including choral harmony, as the band nostalgically reflects on a landmark of their homeland. In comparison, “East London Hotel” features power vocals, driving guitar, and lyrics about the futility of objecting to gentrification. [The lyrics of both songs are included in this post.] 
 
     “Lighthouse” begins with non-complex, yet emotionally effective, solidary guitar that supports engaging harmony. A synth soon enters, followed by piano, but the vocals remain the focal point. The lyrics repeat three times, but the variations in presentation mask the repetition. The final iteration begins with the song’s most powerful moment, before gently returning to the understated beauty of the opening. Broken Fires, a Wales-based band, explain that “Lighthouse” was written on an industrial estate in Croydon whilst feeling the pain of missing the beauty of the Welsh coastline. More poetically, they state:
  This is a song about a lighthouse made of iron, weathering the thick Welsh rain off the coast of Swansea. But fundamentally, it's about a longing for home. Sometimes we all need a lighthouse. A familiar, protective beacon that survives and guides us through the chaos of the storm.”
 
     The opening of “East London Hotel” is anything but gentle, with a forceful guitar immediately setting the tone. But the sound initially aligns more with another part of the UK - Scotland. The first verse even gives a nod to Scottish whisky. The band describes the track as blending “Biffy Clyro-esque guitars with unashamed melodic hooks to make a slightly bitter alt-pop cocktail about gentrification.” “East London Hotel” was written on the back of a bus on a journey home through Shoreditch London. The song was inspired by the epidemic of commercial developments turning once precious cultural spaces into pretentious hangouts.
 
     “East London Hotel” has the feel of a power anthem, but temporarily relaxes into a vocals-driven segment at 1:42. The song begins to return to its Rock roots 18 seconds later.
 
     Broken Fires are from Swansea, UK. The credits to “Lighthouse” identify the composers and lyricists as Thomas Stephens (lead vocals, guitar), Gareth Carter (guitar), Justin Hendy (guitar), and David Francis (drums), but pictures of the band often show six, and sometimes seven, musicians. Their upcoming album is scheduled for release in autumn 2025.
 
     “Lighthouse” by Broken Fires 

Bandcamp: https://brokenfires.bandcamp.com/
LinkTree: https://linktr.ee/brokenfires
 
     “East London Hotel” by Broken Fires 

Lyrics of “Lighthouse” by Broken Fires
Back where I’m from,
There’s a lighthouse that shines.
It’s been guarding the ground.
Where they’ll scatter me out.
 
The salt hits my skin,
And the iron looks tired.
As we walk arm in arm,
Through the beauty of home
 
Lyrics of “East London Hotel” by Broken Fires
The neatest Scottish whiskey flows,
Into tumblers trimmed with gold,
At an east London hotel.
 
We all struggle to be seen,
Where privilege drips from pipes and beams,
At an east London hotel.
 
The outsiders are creeping in,
And fuck I know I’m part of it,
But there’s nothing you can do about it.
 
Blood under the fingernails,
Buying out the heart of things,
But a deal is a deal, I guess.
At an east London hotel.
At an east London hotel.
At an east London hotel.
 
 
I know,
You struggle to know what struggle is and,
I know,
You’re bedding down where privilege lives so,
Cut the cord,
Push a wall of sound through worn out walls.
 
I know,
There’s blood under your fingernails and,
I know,
They try to make it complicated,
And I know,
There’s nothing we can do about it.
At an east London hotel.
 
I know,
You struggle to know what struggle is and,
I know,
You’re bedding down where privilege lives so,
Cut the cord,
Push a wall of sound through worn out walls.
 
I know,
There’s blood under your fingernails and,
I know,
They try to make it complicated,
And I know,
There’s nothing we can do about it.
At an east London hotel.
At an east London hotel.
At an east London hotel.
 
At an east London hotel.
 

Tuesday, May 27, 2025

“Worldview” by Fragile Animals – A Song Feature

 

     The Australian band Fragile Animals has been compared to Wolf Alice, Phoebe Bridgers, and Fontaines D.C. With a focus on the lead vocals, we add Berlin and Metric. The members of Fragile Animals are Victoria Jenkins (vocals, bass), Daniel Parkinson (guitars, backing vocals), and Kyle Shipton (drums, backing vocals) (and videos consistently show Melinda Huurdeman playing guitar). Particularly on the song “Worldview,” Victoria Jenkins’ voice is a positive blend of Terri Nunn (Berlin) and Emily Haines (Metric).
 
     The song is social and political commentary on today’s world:
  Being informed about what’s happening in the world and not letting the harshness of that reality ruin being alive is a real fight. Being aware and engaged mostly makes me feel like we’ve lost our humanity entirely. But there’s so much beauty too. I feel consciously being aware of kindness, selflessness and hope is just as important as being aware of greed, discrimination and violence. We need the awful truth so that we keep trying to steer the ship away from the rocks, but it’s the beautiful stuff that gives us a reason to want to live. This song is me crying out for a dose of something good.”
 
     “Worldview” by Fragile Animals


Lyrics of “Worldview” by Fragile Animals
I’m tired of seeing all the sadness.
I want to see beauty too.
I need to know the truth but,
I want a whole worldview.
 
I want to see the love in the eyes.
The gentle hand.
An unselfish surprise.
I’m tired of seeing all the sadness.
I want to see beauty too.
 
It’s good to feel my heartbeat breaking.
Good to know I’m alive.
It’s good to see my hands start shaking.
Good to know I’m alive.
 
I’m tired of seeing all the sadness.
I want to know the truth but I want to see beauty too.
I wanna see the love in the eyes.
The gentle hand.
An unselfish surprise.
 
We’re not so broken. Have not so lost our way.
I wanna learn about you and understand and not look away.
And with you, take the sadness, guide it to the rails.
Wrap it up in warmer clothes.
Send it off in search of fairer tales.
It’s good to feel my heartbeat breaking.
Good to know I’m still alive.
But I’d sooner walk the darkened alley with glitter at my side.
 
We’re not so broken. Have not so lost our way.
We’re not so broken. Have not so lost our way.

Friday, May 23, 2025

“We Will Collide” by TAPE TRASH – A Song Feature

 

     The song by TAPE TRASH creates a collision between a sense of urgency and a feeling of frenzy. During the first verse (which begins around 0:26), “We Will Collide” features purposeful lead and enchanting backing vocals, driven instrumentally by pressing percussion. The frenzy - propelled by guitars - bookends that first verse with intensity. The frenzy subsides at 1:13, clearing the way for the second verse. One difference is that this second verse is adorned with attention-commanding high pitched guitar interjections (first heard at 1:25). As the song progresses, frenzy displaces urgency, even during verses.
 
    “We Will Collide” is consistent with what TAPE TRASH describe as their “more is more mentality.” The song is the title track from an upcoming sophomore album, which will be via the Tiny Engines label. The band interestingly describes the song as:
  A lush, fuzz-drenched shoegaze anthem that nods to the golden age of ’90s fuzzpop, it’s perfect for summer car rides. But beneath the sweet pop melodies lies a quiet uneasiness—like a daydream on the verge of unraveling.”
 
     TAPE TRASH is the Norway-based project of Anders Magnor Killerud and Kristofer Mathias Staxrud. On “We Will Collide,” Killerud plays guitar and keys, as well as contributing the lead vocals. Staxrud plays guitar, bass, and drums. The backing vocals are the voices of Hallvard Bonden and Juliane Killerud.
 
     The band describes their music as Rock for people who like Pop and Pop for people who like Rock. Pounding drums and a wall of guitars meet sweet Pop melodies in a joyful mix between Indie Rock, Punk, Emo, Dream Pop, and Shoegaze. Thematically, the songs find themselves in a fine balance between ecstasy and panic.
 
     “We Will Collide” by TAPE TRASH